Author: toseealife

What I hate (and love) about superheros.

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Not the first time I’ve talked about this I know, but I actually have found a couple of superhero films that I like, and the new Wonder Woman came out this month, so let’s go for it.

First of all, start with the negative.

What I hate about superhero movies is how darn depressing they are. Seriously, there’s some pscyo villain who has some non-relatable reason for wanting to destroy humanity, and we’re all supposed to sympathize with them, even when they’re point of view makes no sense. And the hero never has a really good answer for them.

At least in the last decade and a half of films.

But when they do it right, the villain is tragic or at least someone we won’t feel sorry for; and the hero is not shaken by the villain’s warped world view.

Not all superhero movies are depressing, they were originally inspiring.

What I like about superhero movies is they can give us a cool story, with plenty of unrealistic action and science and powers; but they keep it grounded in real life. The perfect combination some would say.

In my personal opinion, “The Incredibles” nailed this one in every way. The heroes never stop being normal people with their own quirks and problems to work out.

In contrast, the Avengers never stop acting like superheroes. I have never seen any of them really loosen up and turn off the charm and bravado and wise cracking, and just be people.

The whole idea of a superhero is a person with special powers, who uses them unselfishly. The MCU can’t even decide whether it’s heroes are heroes or villains.

What shocks me is how many people are applauding this, even while many are horrified. People find a movie boring now, if the villain is not just as compelling as the hero.

I don’t mind an interesting villain, but if they aren’t going to reform by the end, I don’t want to get attached to them.

This will sound sacrilegious, but I have never made any connection with any modern superhero except briefly for Captain America. (In his first movie.)

But, what I do like about the superheros I actually connect with, is how they never let anything stop them from doing the right thing.

It’s like Superman says of his friends in one episode of the animated Justice League, he tells the bad guy he’s fighting that none of them will stop fighting as long as they ‘re breathing, and able to move. (I paraphrase.)

I appreciate the teamwork they exhibit. It’s what makes they’re powers are attractive, because the team shows the best of everyone.

But it’ how they are with each other in ordinary life that really makes it work.

I think Guardians of the Galaxy was better in  this regard, even though they all start off as enemies and end up with rather dysfunctional family–friendship dynamic, it worked.

Anyway, there’s no formula for making a good superhero flick…which is the problem. Personally, I find movies where there has to to be a violent action sequence every five minute to be boring.

I’d really start to think superheros just don’t have self control.

At least when Mr. Incredible loses it, there are serious consequences.

I really hope that this new Wonder Woman film sparks a new trend, because I think this genre had a lot of potential if people figure out how to use it right.

In the end, though, whenever you have huge quantities of something, the’res only going to be a few really good products to choose from.

I think some people see it as stuck up to even complain, the masses like the total crud that studios pop out every two years, why not we? What makes our opinion so much better?

Well, I can’t really say. I have my reasons, my concern is that the majority of us don’t use reason when we’re judging a film or any other thing we like. We want to be entertained. Not taught.

(I know folks who won’t even try to hide that this is their perspective.)

And if that’s what you want, than even a really well-made movie is lost on you. Take Frozen as an example. I know for a fact that despite its popularity, not even half of the fans fully understand why it’s a great movie. They like the songs, the cool clothes, the funny scenes, and the wishy-washy message about love; but they miss the real deep message about true love, and the really important stuff the movie is telling us about ourselves.

And many just can’t stomach the format.

Personally, I don’t care about formatting.(Most of the time.) My tastes go from those super-boring-to-most-people real life story movies, to a few of the notoriously bad Christian movies, to Disney, to obscure movies very few people have ever heard of and movies that were supposedly made to sell toys.

I don’t care. I just want the movie to speak to me. Otherwise, what’s the point? Literally.

Now, it is possible to get caught in the trap of assigning meaning where meaning clearly wasn’t intended, which is why I think movie reviewers are important in moderation. Just like book reviewers are. I’d be hypocrite if I said that’s a bad thing.

But I do think there is too much credit given to the movies that are huge successes. Frankly, a lot of them are trash. Except the ones that are not.

But, there are legit reasons people like even the Superhero movies that I despise. A lot of the times they can overlook the flaws because the heroes are just so cool, and I suppose that’s fine to a certain point.

But you can’t just excuse every problem because a movie appeals to your personal taste. Per example, I used to like Pocahontas the best of any Disney princess movie, but though I don’t hate it now, I admit it’s pretty flawed. (Sorry to any fans out there.)

Anyway, I risk shooting the sacred cow just writing this, but I think people will see where I’m coming from.

Until next time–Natasha.

The Lost Art.

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Hello

Hola

Bonjour

Sak Sabai (phonetic spelling.)

Aloha

As you noticed, all of these are greetings. These are the words you begin a conversation with.

But what comes after that?

For most of my life, the conversations I’ve had with people I’d just met have centered around school, grades, and age. That’s what kids ask each other about…and adults.

I mean, it doesn’t really change when you get older. “Where do you work?” “What do you do?” “How’s business?”

These are just common questions, and they aren’t bad, they just aren’t super inventive. But I don’t really want to talk about those conversation starters, because as rote as they are, they are getting rarer.

I feel like there’s no real established mode of getting to know someone anymore. You can go and meet people, but it’s often hard to really get a conversation going with them. The main reason tending to be that they pull out an electronic device within two minutes.

I  have found a welcom exception to t his patter in the groups of people I’ve been hanging out with lately, but before that, I found it difficult to connect with anyone new. Who wasn’t way older than me. I honestly don’t know if this is because of me, or becuase the older generation is jsut better at communicating, or both. Whatever the case, it’s been a lot of work to learn how to talk to my peers.

I think people who grow up in tight knit communities don’t appreciate how difficult it is when no one lives near anyone else, or is likely to have much in common. Thankfully there are things everyone knows about, like movies and music.

What I see a lack of is genuine interest in other people’s lives.  It used to be the case that even though most people were not consideed remarkable, they were at least consdiered worth knowing about. Some take this too far and turn into busybody’s, but a healthy interst in others is a good and rare thing.

Have you ever just sat and listened to someone talk about their life? Probably. And Probably they were far older than you. not to marginalize anyone. It’s very lucky to find a younger person who will listen like that or be listened to.

Recently I was asking someone about themselves, not wierdly, just casually; I almost thought they were pleasantly surprised that anyone would do that.

I am not the best lsitener either, but I try.

All this to say, Conversation was once called an art.

I have an example from Kim Possible, the’rs an episode, I think it’s  called “Job Unfair.”

Init Ron and Kim are praparing to jusmp from a plane (I think, or a helicopter) and Ron asks one of those questions that your’e supposed to politely reply to with curiousity. Yo uknow “Do you want to know where I got__?” And Kim responds by asnwering the question herself. As people will do when they don’t want to hear about it. Ron mournfully says “The Art of Conversation is truly dead.”

Of course, Ron is mostly kidding; but I think that does hit the proverbial nail on the head.

We all have so much going through our minds at all times. We start to think we’ve seen and heard it all, because every situation is probably in a movie, or a song, or something we’ve been through a hundred times. I have to wonder if movies are doing us a huge favor in the long run. At least the ones that all ahve the same basic plot.

The problem is, you have to find people intrigueging to care about them. I don’t mean they’re partciuclar personalities have to be intersting to you, but human beings in general need to be being disinterested in that sense is cold and cruel.

A disinterested party is thought to be one that can judge fairly in a dispute, but beyond that, they can’t help you much, they have no reason to.

I have to wrap this up now, I hope you enjoyed this post, until next time–Natashsa.

It’s not what you do.

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I’d like to start off by personally thanking all of you faithful readers who keep coming back to this blog, even on days I don’t post, it really is encouraging.

Also, it was finals week, so I had to devote more time to finishing up my project, that’s why I only blogged a couple times, but it’s Summer Vacation time and hopefully that will get better. You other bloggers know what I’m talking about.

So, today’s topic: What’s wrong with Millennials?

Okay, that was kind of a joke.

The thing is, we get criticized a lot, and I can’t be the only one who feels like it’s a problem. People judge us before they even know us.

Movies aren’t helping either, they show us more and more often addicted to our handheld devices, or they show the next generation down (whatever they’re called) addicted even more.

On the other hand, movies at least feature main characters who aren’t typically glued to a screen, because who’d watch that movie? Not me.

But, this is no time to start whining about how nobody understands us.

I actually sympathize with the older generation who thinks we’re throwing away our lives on things that don’t really matter.

They say we’re not mature.

And a lot of us aren’t.

But, it’s not all our doing either.

I notice a constant theme in the material aimed at our generation: Self Discovery.

I like Self Discovery to an extent. It’s perfectly healthy to be independent and creative and try new things.

It is crucial to your development to know yourself.

But I have some concerns about where this train is taking us.

I saw a bit of a show the other day, one of those “reality” shows where they aren’t filming actors, but the lives of real people. And there was a baby shower happening, and some moms were passing around advice. But to my slight horror, all they said was “Let the little things go” and “Don’t worry because you’re going to be a great mom.” Don’t doubt yourself, basically.

Look; it’s all well and good to not be afraid of being a mother, but since when is that all you need to know about it?

Isn’t it kind of selfish to focus on how you feel and not on how your child is going to feel growing up? I think some advice in that area would have been timely.

Plus, “Let the little things go,” is advice most of us aren’t taking. Who is famous for freaking out about every little inconvenience?

Yet, simultaneously, we also are known for going with the flow.

This is not everyone to be sure. It may not even be most of us, but it is what is being made into our image. Thank you, television.

The worst of it is, we are warned about not accepting what the people around us think about us, but not against not accepting what the TV and Movie industry says about us. I find what they say very offensive a lot of the time.

We all should take a moment to ask ourselves who made teenage promiscuity, drinking, and rebellion, cool in the eyes of the culture?

Who made dark and gritty the new face of teen movies and novels?

Who made a mockery of parents?

Beep be deep a deep– The Entertainment Industry.

With a lot of help from other sources of course.

See, it’s not what the majority of people do that makes it a cultural trend, it’s what the majority of people see as normal.

For example, we all have lied. But if it wasn’t accepted as normal, few people would admit to doing it. And less people would keep doing it.

I don’t lie, at least on purpose. The scary thing is that there are kids who, when they hear that, scoff at it.

What have we done?

In all fairness, a lot of blame does go to parents, since it’s not like it’s a law that kids have to watch certain shows, and shows or no shows, it is the parents who set the moral tone of the house.

And the shows warn us that parents don’t understand us, but guess who does? The shows themselves.

But I’m sure you’ve heard all this before.

And I don’t want to make things harder for parents by making them feel guilty.

But we all need to think, hard.

Personally, I’m considering the effect movies with swearing and a lot of sex jokes have on my mind. Just because I won’t tell those jokes, or swear, does it mean it’s not affecting me?

But I’m lucky that the only way I see the corruption of the world is generally through the screen, literally. Most of you probably see it every day, in person. If its’ disheartening to me, it must be worse for you.

It is exhausting to stay positive in a world with so much negativity. But let me offer a small tip before I close.

Remember that comic book I keep referencing?

Well, there’s a very important character in it, Auralie. She’s got only one line, but it’s what we see her doing that is important. It is said of her “Her thoughts are beautiful, she creates beauty with her mind, imagine doing that on a world like Apocalips.”

It’s really not what’s around you that makes you happy or hopeful, it’s what you grow inside you.

For me, that is faith.

And if Millennials and other generations alike choose to focus on growing those good things inside ourselves, then it won’t matter what’s happening around us. I mean, it won’t harm us.

It’s not many who will make that choice, but everyone has the option.

Those are my thoughts for now–Until next time, Natasha.

Lessons from a five year old.

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I consider myself a spiritual person. I pray, I worship, I read my bible. Which is all great. But every now and then I run into something I haven’t thought of before, that somebody else gets.

My cousin just recently discovered church and she loved it. The child came alive at each service, and I was loving watching her.

But she went farther than I thought possible. And watching her, I noticed a few things.

One was that she always prayed using the words “I hope,” instead of “I ask.” If you pray you know the drill, everyone has their way of beginning and ending, and I wouldn’t say one way is better than another, but I thought “I hope”? Is that right?

Then I thought, on the other hand, maybe the kid’s got a clue. I mean, why do we pray if not for hoping it will affect something? That’s why people who haven’t prayed in years may do it when they’re at then end of their rope.

A lot of people don’t like the idea that people only come to God when they’re desperate, they think that they should be able to use logic, reason, knowledge; things like that, to find God.

Which is all well and good, except the majority of the population will not use any of those things to make most of their decisions. (You know what I’m talking about.) And no matter how smart you are, you’re never smart enough to understand God. At some point, you have to be humble enough to admit you need him if you’re ever going to accept Him. That’s the plain truth.

Which, bringing it back to prayer, means that you need to admit it even to yourself, what you’re really asking when you pray is for things to get better, and to get better in ways you can’t do yourself.

A while back I saw the movie “Bruce Almighty” for the first time, hopefully the only time, I didn’t like it. It wasn’t all bad, but it was close. In that movie, the grand solution Bruce finds to his problems, after being God for week or so, is that people have to solve their problems themselves, and help each other. I agree that we should help each other, and try to help ourselves when it’s appropriate, but beyond that, I don’t think there’s a worse conclusion the movie could have come to.

Praying is not about helping yourself, but about recognizing that you can’t. Until you do, your prayer is empty. My cousin gets that prayer means hope. That’s something I didn’t really grasp before.

There’s one other thing she taught me:

The Bible tells us that Jesus makes intercession for his followers, which means He intervenes on our behalf when we’re in trouble, whether of our own making or of another kind.

I knew this already, but my cousin discovered it in a unique way, and made me realize what it actually means, if you think about it.

To have Jesus sticking up for you would give you so much more confidence if you believed it. But Christians generally don’t think about it much because, honestly, it sounds too good to be true. And a non-Christian might scoff at such a notion, or just think it sounds cool, but not believe it.

Frankly, most of us don’t think of Jesus doing anything except dying; but according to our faith, He’s not dead still. Check out some Revelation Descriptions of Him and see how dead He sounds in there.

It’s easy for people to see why my cousin would buy all this, she’s five, anything is possible. But it’s more puzzling why someone my age, who’s supposed to be jaded and apathetic and disconnected, can believe such things.

I really think the majority of us spend our lives trying to hide from those ideas, in one form or another. Whether we live in a country where appeasing spirits is the normal thing, like cleaning house; or we live in a Western civilization where believing in them at all is enough to make you  a freak.

But freak or not, that’s the way I think. And it doesn’t bother me that a kid can believe the same thing, because we are told to be like little children in our faith. It’s not that we put reason on the back burner, no, just ask C. S. Lewis about that, it just means knowing that our reason is limited but there are more answers out there than we know. Every kid knows that.

Being Christian means buying the whole package,  just like anything else worth being. There is no pass, no get out free, and that’s fine by me.

And my cousin is a smart kid, I think I’ll probably learn a lot more from her before we’re through.

Until next time–Natasha.

Hercules and Atlantis–part 2

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Now for Atlantis:

So, meet Milo Thatch, our protagonist. Basically, he’s like Hercules only a geek and not buff.

But he’s also not awkward. Milo is just that right balance of socially out of it and decent, polite person, also pretty lonely since his Grandpa died.

Milo has spent his life trying to find out where the lost continent of Atlantis is, and has finally figured out where the Shepherd’s journal, the key to finding it is, but everyone has decided he’s a fool and won’t give him the chance.

Thankfully, the movie spend only about ten minutes on this boring and over sued plot, and we turn to the far more interesting discovery, that the journal was already found by Milo’s grandfather and that his lifelong friend Mr. Whitmore has just been waiting for the right time to send Milo off to discover Atlantis, with the same crack team that found the journal.

People have said the movie is boring, I say, what movie did you watch? Huge machines that can sink the most fortified submarine ever; a cook who things beans, bacon, whiskey, and lard are the four food groups; and a giant worm. Not to mention one of the scariest and most apathetic villains Disney features to date. (I thought he was scary.) My guess is that the main complaint would be the lack of character arcs, to which I say pfft!

Our cast of characters is memorable, cool, and hilarious. Each different and each will remind you of someone you know, probably. Milo is us, pretty much. And Then there’s Audrey, the  mechanical genius who’s also the youngest person abroad, in her teens; Sweet, the kind-hearted doctor who’s also super funny; Mole, the…mole (digger), and also the person who hates soap; Lenny, the slightly nutty explosives expert; and the old lady whose name I have never remembered but she’s classic grumpy grandma with a good heart; and of course Cookie, the cook.

The movie also features the unusual and sad character of Helga, or Lieutenant, as she’s called most of the time. Helga seems to be the typical tough girl, efficient and non-emotional, and she is– but there’s a little hint that she might have been more. After they find Atlantis (I told you, spoilers, but if you’ve seen commercials, you knew that already,) she tells Rourke aside “There were not supposed to be people down here, this changes everything.” To which Rourke replies coldly “This changes nothing.”

What everything? Well later we find out that ?Milo was the only one who did not know that the purpose of the mission was to steal the power source from the people. He originally wanted to find it, yes, but once he knew there were people there, that thought went out of his mind. He never dreamed anyone would still do that.

It seems Helga had second thoughts, very briefly, and never again does she seem to waver, perhaps she figures she doesn’t know these people and no one will ever find out they even existed. It’s still cold-hearted, but we’re left wishing she had chosen differently, and in the end, she does play an important part in saving the Princess, though it’s in revenge and she dies afterward.

But versus the heartless Rourke, she’s a more sympathetic character, and that’s, in my opinion, the brilliance of the movie. Like with Megara, all our heroes are flawed, (except Milo,) they’ve all done things that, as Lenny says “We ain’t proud of.” But wiping out an entire civilization proves to be more than they can live with, at least after Milo makes an impressive and short speech about it. I don’t think that takes away from it, we all need to be kicked in the pants every now and then before we’ll do the right thing.

We all know that they are not perhaps, role models, most of them were pretty mean to Milo at first, and they turned on him for a while; but in the end they knew he was right and risked their lives to undo the damage they had done.

They still got rich.

And you could say that was lame, but I think it’s fine. They didn’t know beforehand that that would happen, and call me old-fashioned, but I don’t think it’s lame to be rewarded for doing the right thing, it’s just not a requirement in every circumstance.

The verdict:

I find Atlantis very entertaining, and in a kid friendly way, without a lot of gore or on the line humor. Plus, though it hasn’t the deepest message, it has a good one. It’s an adventure and exploration movie, and it was wise to keep it that way and not change the tone with a lot of unnecessary drama or moral dilemma that had nothing to do with the main plot.

Hercules is the opposite in that way because the side plot turns into the main plot in an almost unforeseen way, and it is deep.

Milo does the right thing partly for Kida, his love interest, but mostly because it is the right thing, and who else is going to do it. There’s also a theme of doing the right thing even when it seems like it’s not the smart thing, and how much his grandfather influenced him. Also, don’t be a mercenary, and take that Flynn Rider, (and to an extent Kristoff, I love you guys, but really, you couldn’t help the girl just because it was the right thing–and she’s hot, of course, because they always are.)

Why hate on either of these movies? They weren’t claiming to be cinematic masterpieces. They are exactly what they seem. Atlantis is a cool and classy film with eccentric characters and mysterious forces; Hercules is  zany spin on old myths with a heartwarming message.

Both are making their point pretty darn well in my mind. That’s all for now–Natasha.

Hercules and Atlantis.

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Our story begins before Hercules, many years ago…

That’s pretty much how the Disney version of Hercules starts.

Atlantis starts a little differently: Shouting, someone yells “You fool! You’ve destroyed us all!” A wierd crystal thingy pulls a woman into itself, and a whole city sinks beneath the wave. Fast forward to 1914.

Why am I tackling both movies in one review, well, they’re short. And another reason is that they both get a lot of flack in the Disney fandom, which I think is undeserved. Or maybe it’s in the anti-Disney fandom.

You all know what I think of Disney and how stupid I find most of the criticisms against it, but it’s also a little strange that I like two movies that both have very different ideas of the gods than I do. (I know folks who won’t touch movies like that, you see.)

Well, I do draw the line somewhere when it comes to magic and other religions, but not here. The reason is simple: Hercules isn’t saying Greek gods are real any more than Sleeping Beauty is saying fairy godmothers are real. It’s pretend, and it’s used to tell a story, not to tell us what to believe. Which is very different from other sources which might use the same material. (Like the Heroes of Olympus series. I’m looking at you Riordan.)

Atlantis is a little more iffy, but I go with it because I like the movie and have never had problems with the mystical side. Plus, it’s still not meant to be taken seriously.

It has been awhile since I’ve seen it though.

But essentially, what I like about these movies is the same, they use a more unconventional approach to make a profound point in a way a child can understand and an adult can mull over.

(Spoiler alert.)

Hercules is straightforward: He’s stolen from his godly parents, raised by mortals, goes off to seek his true home, becomes a big shot hero after a lot of training, and ultimately earns back his immortality.

But the person that makes the entire movie for me is Meg, his love interest. At first I never liked her, and didn’t like the movie all that much, but once I got older I started to understand the story better. Meg is working for Hades, the bad guy, and hates it and him; but has no choice because she sold her soul to him to save an ungrateful boyfriend who then left her. Meg is only eighteen so we’ll blame her age for her poor choice of men. But now, more cynical and bitter, she mistrusts Hercules up until his humility and unpretentiousness win her over.

What makes this a little different from the usual girl-learns-to-love-again plot line is that Hercules is entirely honest about being nice to Meg and she knows it. It’s actually her conscience that drives her to the conclusion that she can’t help Hades anymore, only it’s her love that gives her the courage to face him. Things go tough for Meg because though Hades can’t make her choose to obey him, he can bind her and gag her and use her as a pawn, which he does.

I almost cried along with her when Hercules finds out she was helping Hades but doesn’t know she changed her mind and tried to get out of it. In the end Meg figures she’s lost Hercules but goes and get his trainer Phil in order to save his life, and then saves it herself by throwing herself under a pillar and pushing him out of the way.

After Hercules returns the favor and saves her life, she thinks he’s going to be immortal and decides to quietly walk out of the picture, but Hercules decides to stay with her instead. everyone lives happily ever after.

Now, that is fairly predictable, but it’s still plenty of food for thought. Hercules is a bit of a Christ Character. an immortal becoming mortal and being a hero, ultimately laying down his life to save his love, and earning his immortality through that. And the message that a Hero is measured by the strength of his heart is nothing new, but that’s because it’s true.

The movie is smart to point this out, because Hercules becomes a hero to everyone and earns fame, but all he wants is to go home. He starts to get a big head for a brief time but as soon as he finds out all this is not enough, he quickly goes back to being humble and questioning is he’s really such a hero. He has no conflict about doing the right thing, his only weakness being that he’ll sacrifice the greater good to save Meg. If you could say that’s wrong.

Making Hercules humble was the only way to make him heroic, in my opinion, and the movie passes it off believably.

Also that Hercules father guides him and is the king of all the gods lends more weight to the Christ Character idea. I don’t think that was intentional or that the movie needed that, it’s just interesting.

But the way the Christ parallel is actually important is this: Meg, unlike most Disney Princesses, is not perfect or always on the right side. She makes serious mistakes, and even her self sacrifice only makes up for it, it doesn’t erase it. This is a sobering thing to have with out female lead. Meg actually needs forgiveness, she really needs it.

We all know that this would be true of any princess, but we don’t see it with anyone else up until Merida and Elsa come on the scene much later. (Well, in my opinion, Ariel too, but she’s not called on it.)

The fact that Hercules accepts this about her but chooses to believe in her best is what really makes his character.

And that’s where Meg gives us hope, if we let her, the hope that there is forgiveness for your mistakes, and you can be free from your bondage. And that there is someone who will give up everything for you and do it gladly. I hate that some people think Meg would be haunted by that later in life, why, she’s lucky. Few of us get that kind of love in an earthly life.

But Herc is really a heavenly being after all.

I’ll dive in to Atlantis (ha ha) in part two, until then–Natasha.