Entertainment

Give a little more than you take.

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I haven’t yet mentioned that I read the second installment of the Mr. Miracle comic series.

I have a whole list of the problems with it, but I’ll sum it up as being far lesser than the first one.

Of course, as I do, I had some deeper thoughts about it and also about why it bothered me so much. You see, by comic book standards of the seventies, most of it was passable; it wasn’t terrible if I compared it to the Superman of the fifties and sixties. However bad it could be, Barda and Scott could never be that campy and still be the same characters. But they weren’t the same.

I know that this bothers me more than some would say it should, and some hard core fans would be even more upset than me, but for my part, here’s why I get upset when this happens, and it happens a lot.

When a creative person underperforms, it bothers me because it seems like they didn’t know what they had. Often, I think that even when I like what they’re doing. Because it seems too good to be the work of some one who was not trying to be astounding, and often the source was not.

Check out the making of Frozen, for example. It was a long process and what they were trying to do at first ended up being the opposite of what they did.

I also think of the early Ever After High series, it seems like the show was just supposed to be for kids and yet the points is made were worthy of a lot of adult consideration.

Generally something like this gets ruined because of a new writer who just wants to use the franchise to make money. But sometimes the staff remains the same, and they just seem to lose touch with what made their show or series so great.

(Forgive me, but I think this happened with the Percy Jackson series when it switched to “Heroes of Olympus.”)

The problem is, once you get a devoted fan base, you always have an audience, even if you were to do the worst thing possible some of them would defend it. And believe me, as an aspiring writer, I think about how I would handle this problem.

There will always be those who don’t like anything you do that’s new, either. When Ever After High switched over to covering the opposing point of view in their rebel-royal conflict, a lot of people weren’t happy, including me. But I had to hand it to them that a couple times it came out well and deserved some appreciation.

I don’t think a little change is bad, writers and movie makers are always expanding their vision, or so we would hope, and they fill out their stories. They have the right to do that.

so, I would not have faulted Kirby for that, and some would say that is what he was doing.

But there was a very serious problem with how he ended the story. He let evil have the last say. It was sort of like how the Empire Strikes Back ends, (always my least favorite by the way,) but even worse. Because we know it’s not over for Luke and his friends, and we have hope, but the evil figure of this comic book steals the best moment of the whole story from the best people in it. It’s just so unfair to them, and they don’t seem to realize it.

I can’t go into it fully, but that is what I had a problem with. The beauty of Kirby’s creation of Mr. Miracle was in how good triumphs over evil against all odds, and even against our human weaknesses.

Together Scott and Barda are unstoppable. But only when they are being the best they can be. I’d say that’s true in real life. I hope all of us have met at least one couple who was like that, amazing separately, but together they became an inspiration.

That’s what made the whole thing work. I liked Scott okay by himself, and I like Barda by herself, but I didn’t really get into their stories until they were together.

And it wasn’t that that changed, it was how they were together. It just wasn’t the same. But worst of all was I felt like Darkseid showing up at the end made it his victory.

In fact, I really wonder if Kirby did it on purpose. But that’s a whole other discussion.

I guess the point I want to bring out of all this is that, fan base or no, your work will not be worthy of admiration if you lose touch with what made it special. It’s important to know what truth you want to show, and to listen to what your positive feed back is telling you; what people are getting out of your work, I mean.

I’ve been surprised by what people got out of my stuff sometimes, but once I saw it that way, I thought it was even better than what I planned.

Which is not to say you can never try anything different, I try different plots and usually I like the result, and my siblings are always trying new things with their creative pursuits, but you have to have a core.

Otherwise you might start to think it’s about you, and how great you are, instead of about what you give to other people through your creativity. Or your service, if that’s how you give.

I think I’ll end with this song which is about that very thing:

“A single voice is joined by multitudes in song, with every note they’re finding harmonies that rise to carry on, richer and richer the soil in which they thrive, higher and higher a hymn of what it means to be alive.

You’ve got to give a little more than you take, you’ve got to leave a little more than was here; you may be prideful of the strides you will make, but keep one things clear. You’re just a player in a much bigger plan, and still you have to give it all that you can, the very measure of your soul is at stake, you’ve got to give a little more than you take.”

–Natasha.

Totally Scott Free.

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Like I asked a moment ago, what is total freedom?

Well, it turns out it’s not just being able to choose. Scott had a choice. That didn’t give him freedom.

Of course choice is a big part of it, but as weird as this is going to sound, freedom is actually the ability to choose the right thing.

What’s the difference?

There’s a big difference.

Take the extreme example of drug addiction. Most addicts are not force-fed the substance they are addicted to, they choose to take it. They bring their hand to their mouth, or whatever form they use. They are not free. They were at one time, one time they had the choice to not try drugs, and they forfeited their freedom from drugs when they chose to try them. Now they can’t stop.

Choice is not freedom, it is the medium freedom is accessed through, if that makes sense.

Freedom is a state of being, not an ability.

Total freedom is humanly impossible without some sort of Divine intervention, and that is just the truth.

But what about all that stuff about taking freedom?

That’s all true. Freedom is a fight.

“The price of freedom is eternal vigilance.” John Philpot Curran.

It’s a fight for me.

There’s another quote about freedom being in disobedience, but as far as I can see that kind of thinking leads to disaster. Freedom is obeying the right thing. Like your conscience for example.

We do choose what we listen to, but what we listen to is what makes us free or slaves.

To go back to Scott Free, he spent years listening to Granny Goodness. (The name is a misnomer.) It wasn’t until Granny took away her voice from him (as punishment, but if you ask me, the psycho was just too arrogant to realize she was doing him a favor,) that he started listening to Metron and then Himon.

You got to be careful what you hear. I can’t tell you how many times I did not struggle with a sin, or a fear, or even a symptom of disease, until I heard about it. Knowledge is not always power, or it’s not always a good power.

One more thing about freedom: It’s a lifestyle.

“For to be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.”–Nelson Mandela.

We can blame other people for enslaving us, and some of us have a reason to do that, but blame will not free us.

We want to take our freedom, and then we want to pass it on.

Scott didn’t think of anyone else but himself needing to be free at first, but after Barda helped him, he realized she should be free too, and later he came to wish everyone could be, though he knew you can’t free everyone and that they really have to want it themselves.

Barda is an interesting example of someone who is uncertain about freedom at first. She wasn’t ready to leave when Scott did, but once she left, she resolved never to go back without putting up one heck of a fight. And she did.

Even though Barda never seems to want to free others, she is the one who is responsible for bringing four additional people back to earth with them. Four of her furies. Though the furies get a chance at freedom through this turn of events, none of them stay on Earth. They are too bound up to their home planet, even though it will be the death of them.

So we see that freedom is offered to all of us at one time, but few of us accept it.

“Enter through the narrow gate. For wide is the gate and broad is the way that leads to destruction, and many enter through it. But small is the gate and narrow is the way that leads to life, and only a few find it.” Matthew 7:13-14.

This verse is generally taken as “It’s so hard to be good, why is it so hard? Why did God make so few things okay for us to do?”

The truth is, the things that are bad to do in of themselves, those are pretty much summed up in a list of ten commandments. Dishonoring God; dishonoring parents; dishonoring what’s sacred; lying; stealing; adultery; greed and covetousness; murder; etc. You can find rules like that in many other books and creeds.

But the list of mistakes we make with even the things that are good, that list is extensive. I couldn’t name all of them if I tried. The reason the road to freedom is narrow is because the road of slavery is so broad. We enslave ourselves to nearly everything; but we free ourselves only in doing what’s good, healthy, and holy.

Scott Free is a little bit like how they portrayed Moses in “The Prince of Egypt” movie. (Thank you Dreamworks.) He can have power, wealth, respect, fame….and he can live a life built on slavery. Or he can run off and become a nameless nobody in a strange land, only to return later to secure the freedom of others.

God is the one who told Moses to go back (and that was the part of the story they changed the least,) and I don’t think anyone ever gets fired up for the freedom of others without it being a Divine thing. Because there’s a certain power in fighting for other people.

So, those are my thoughts on the story and the concept. I hope it all made sense, since I’m still figuring it out myself. I do recommend checking out the stories for yourself. (With the exception of the Barbie Fairytopia one, please do not watch that.)

Until next time–Natasha.

“Freedom to dance, freedom to sing, freedom to grow, I’m telling you Pharoah, let God’s people go!”–Jason Upton.

Getting off Scott Free.

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Some of you may remember the post I did about Mr. Miracle. Well since then I have actually read the comic book of that title, and I thought I’d share my reaction.

Oh my gosh! It is freaking incredible!

Seriously, I have never been a huge comic book person, but this one blew me away.

You don’t realize the first time you read it how great it is, you only see that it’s way better than most of the other stuff in the genre, but upon rereading you notice the details that went into the character arcs and plot build up, and how, remarkably, there is no real discrepancy anywhere (I can think of one place that something didn’t entirely add up, but it was minor, and I’m not sure it was really an error, and it was just one.)

Sorry everyone, I’m still in fan girl mode. Which for me is both way more excited and way less than what you’d typically see made fun of on TV.

Aside from geeking out about it, I do have another reason to share it with you guys. I need to do some writing about liberty for a school thing, and all I can think about is this comic book as a reference. (Which is the first time in my life that has happened, I assure you.) The reason is, liberty is a huge point in the story, though it’s ironically the one I’ve thought least about, because being the person that I am, I want to talk about the love story.

But it’s time I gave the idea of freedom some consideration.

Scott Free starts off as a brainwashed prisoner of the hellish planet of Apokalips. I won’t give away all the details here, it would be far too long, but suffice to say he’s different than the other drones. In Barda’s words, they never got to him. Scott is affected by his life on this planet, but he refuses, for a reason unknown to himself even, to ben to all their rules. He in encouraged in this by Metron and Himon, two people who try to help whom they can become free minded.

Now the narrator leaves no doubt in our minds that no one on Apokalips is free minded except Himon. And he has precious few people who are even willing to try to learn his ways. But Scott becomes intrigued by him.

Long story short, with help from is unexpected ally, Big Barda, Scott flees the cursed planet and comes to Earth. We aren’t told exactly what he does at first, but he learns about the place and develops a passion for seeing justice served, but always with a degree of Mercy. he takes on the name of Mr. Miracle and tries to live a quiet life. Or quiet for him.

But Scott soon finds that you cannot just run from oppression and think that will be the end of it, after Barda joins him on Earth both of them try to keep their enemies at bay using their respective skills, but Scott quickly realizes he cannot run forever. So they return to face their past. To face themselves in a way.

I  have avoided this part of the story for one reason, I was concerned that the story was trying to tell us that finding our self is the answer. I know many people will take that from it, and take it at face-value. But how many of us really know what finding our true self even means?

Oddly enough, what came to my mind was a Barbie movie of all things, and not one of the good ones either, it was the second one of the Fairytopia trilogy. (Gag worthy, especially if you already hate Barbie, which I did for a while probably because of those movies.) But there’s one good part, Elena, the “Protagonist” is faced with the option of eating a berry that will turn her into whatever form her “True self” is. Elena was born without wings, and wanted them badly, winning them as a reward for saving the day in movie No#1. Her fear now is that her true self will not have wings.

I actually understand Elena for once. But her friends tell her “Whatever you are, you’ll be happy, because you’ll be your true self.”

Mixed up in the sappy stuff of this whole idea is actually an important truth. Our true self is not always what we want it to be, but what it is best for us to be.

This applies to Scott, as well. He wanted to be free; he wanted, in his own words “tranquility;” and he thought he could find that by running until they stopped pursuing him. Barda knew better, but she would rather chase after a delusion with Scott than be realistic by herself.

But Scott had to realize that we cannot be free by running, running is just the start, the begging of the dive into the deep end.

“Freedom is not something anyone can be given, it is something people take, and people are as free as they want to be.”–James Baldwin.

Barda, on the other hand, knew you have to take freedom. She lived this next quote.

“Better to die fighting for freedom then to be a prisoner all the days of your life.”–Bob Marley.

Barda figured on dying in the fight to be free, but she intended to go out with a bang.

What makes this story oddly different is that their battle is a mental one. Scott literally fights it out in his mind. Barda nearly loses on that account, but Scott saves her in the nick of time.

It might be said that Scott will get out of anything, but Barda will avoid getting into it as long as she remains standing. She’d be free to start with if she could.

But the thing it, none of us are born free. We say we are, but we are all slaves to something. To sin usually, there’s always that one thing we can’t shake, sometimes its many things. Others of us get enslaved to people. Being a Christian is comparted to being a slave for God.

Only, in that last instance, it does not last. God wants free people. The reason we consider ourselves slaves fro Christ is because we don’t trust ourselves with total freedom.

What is total freedom anyway? It is not the absence of tyranny, that leads to anarchy most of the time.

I think I’ll dive into that in my next post, until then–Natasha.

Strange Magic

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Since I just recently re-watched this movie, I thought it’d be a good chance to do a review on it, especially since there are only two main positions on it.

People either love this movie or hate it, very few are indifferent.

A lot of folks think this movie was George Lucas’ big joke at both our own and fairytales’ expense. The ending scene may well leave all the audience turning to their friends and asking “What the heck did I just watch?”

The movie seems so obviously bad that it’s baffling how many people left positive reviews for it on Amazon. Why?

Well, it may surprise you that after stating all that, I actually like this movie. You’ve probably never heard of it. I never had until a chance line in a review of a different movie, and the clips that started showing up on YouTube’s homepage.

I will not deny it is the weirdest movie I have ever seen all the way through. It beats out “Willy Wonka and the Cholate Factory.” It is not weird in the way that I’d say was wrong. It has no questionable scenes, no creepy stuff, no inappropriateness, beyond what will go over kids’ heads and is hardly even a thing to adults. It’s still arguable that its even inappropriate because I think circumstance counts for a lot.

So, that said, what is this movies big flaw that baffles its audience?

It’s really hard to pinpoint. The weirdest is scattered all over the place, but it mainly is in the awkwardness.

Maryanne, our main character, is socially awkward. I find it quite believable and in some ways too familiar for comfort; but that is the point. Maryanne is very human, despite being a fairy, and often doesn’t know how to handle herself unless it’s at the end of a sword. She is constantly shocking her father and sister with how rude or indifferent to people’s opinion she can be.

That said, Maryanne never does anything that can be considered truly wrong in the course of the film. she is painfully honest, fiercely loyal, and her chief flaw is being merciless to her ex, Rolland. Though he really leaves her no choice, and she never hurts him beyond what the situation calls for.

What makes up the rest of the awkwardness in this movie is the use of the love potion. It will make any two creatures fall in love with each other, though it seems only to work if they are of the opposite sex. It also only works on the one it’s dusted onto, so it can lead to one-sided, over-the-top obsession. An imp scatters the potion all over random creatures, leading to some very repulsive matches. It makes your stomach turn, and Maryanne’s as well.

But I can’t call that a flaw in the plot itself because the whole idea is supposed to be love shouldn’t be forced. We are supposed to be disgusted with how the misuse of this potion can ruin people. Maryanne’s sister spends a large portion of the movie in love with someone she’d normally be terrified of. Bog, the king of the Dark Forest, used the potion at one time, to no affect, and later realizes how wrong it was of him to do so.

Definitely the best thing this movie has going for it is Maryanne and Bog. Maryanne proves able to be very un-judgmental when she learns what Bog did in the past and why he hates love, she even sees herself in that and sympathizes. Bog also teaches her how to see the Dark Forest as a place that is more challenging than her own, and not actually evil, just different.

That is the powerful thing in the jumbled world of this movie. Because the audience perceives everything how Maryanne does, we see the forest as scary, evil, ugly, and hostile. But when she learns to see the beauty in it, we do too. Also we learn that sometimes ugly things are still amazingly complex. Like a centipede. Plus, some things will only grow in the Dark Forest, or on the line between it and the Lighter one, because some species need it cool and damp. This is stuff we have to remember as we watch, because everything in the dark forest looks the way it does because that makes it blend in with its surroundings. The creatures are ugly because they have to hide in the uglier places.

While I don’t think embracing ugliness is wise, it is wise to realize that different places look different for a reason.

There’s no racism message in this film, it’s more “don’t judge a book by its cover.”

But the best massage is that true love prevails. Maryanne goes from being a person who goes by appearances to being a person who doesn’t care about them. This has its drawbacks, as she is rude at times, and also impulsive; but it makes her a perfect match for Bog who is tired of being simpered to and having everyone afraid of him. Bog on the other hand rapidly goes from being bitter and somewhat evil to being heroic because he’s finally met someone who understands him.

The message is not that it’s okay to be evil, but that love can change you. Also, that love will accept you how you are. None of our characters are perfect. But only Rolland, the guy who thinks he is perfect, is the one who never changes. Everyone else grows and learns from their mistakes. But they also all learn that perfect or not, they can be loved. just for who they are. It’s a surprisingly sweet message in a very weird package.

So what’s the verdict?

I like this movie because only a move this weird could make you get past weirdness and love it anyway. In a sense, if you like the movie, you’ve learned what it was trying to teach you.

But…

If you can’t stand singing, especially if the songs are all unoriginal popular songs, most of them from the seventies, then this is not your movie.

All the songs fit the story, but one or two are completely unnecessary, and only one or two feel entirely natural in the movie.

And if the awkwardness of the dialogue is going to turn you off, than be warned, it is awkward most of the time.

The voice acting is sometimes surprisingly moving, but many times the characters make it weird, and to some people it will feel flat.

Also, the movie can grow on you, but it can also shrink.

Don’t watch it with anyone who hates musicals. Their scorn will  absolutely ruin it for you. Unless you are able to completely block it out.

But if you can get past all that and dig deep you’ll find that with all its flaws there’s something very charming about this film. Which seems to be the whole point. And for the rest, blame George Lucas’ weird imagination and not me. Or the movie itself.

Until next time–Natasha.

P. S. ( I hope I didn’t lose respect from anyone for liking this. You have to laugh at yourself, ladies and gentlemen.)

Personal Interpretation?

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Have you ever watched a movie and thought that it was advertised all wrong? Or thought that what you heard people say about it was bogus? This also happens with books, to a lesser extent, because to be honest,  I rarely hear anyone talk about the last book they read. (The last one I finished was The Magician’s Nephew, those Narnia books never cease to be awesome.)

Movies, books, pictures, songs, as we all know, these things are what make up most of our cultures and every culture’s art. Except for movies, that’s not something every culture can afford to compete with the U.S. in.

There are a thousand different opinions about art, even about the same piece of art. So, it’s no surprise that what one person sees is not what another person sees. We’re not all looking for the same things.

But there is a point where I’d say personal interpretation goes too far.

I am getting heartily sick of reading or watching the most innocent of material, and then finding out somebody is pushing to get it acknowledged that there’s a homosexual character present in the said material.

People even did this with Frozen, to an extent that makes me sick, because what they were suggesting wasn’t okay even if one accepted homosexuality as normal. I really don’t want to repeat it, but you may have come across it yourself. If so, enough said.

And then there’s just the heterosexual remarks too. People do read way too much into some stuff.

However, even more common than both those unwholesome incidents is just misinterpreting what something really means.

What astonishes me is how often both authors and screenwriters do this with their own creations.

My siblings and I call it a lack of vision. What happens is someone creates a character that ends up catching the interest of a lot of people, and they develop the character enough to keep that interest, but then inexplicably, they just stop and leave it at that.

I know a couple of kids shows that young adults still watch because they’re actually good, and the shows make this same mistake. They build a character up and then they let you down.

I suppose to anyone not interest in the show or movie or book, it hardly matters; but interested or not, I do think such problems affect you more than you realize.

You see, history shows that it is art that inspires greatness, or imparts it, to other people. This is particularly true of the art of words. And it was the art that had something real and good to say to us, that caused us to become better people. that is still true.

Anytime an opportunity to make something like that is wasted, so is a chance to inspire kids and adults alike to be better people.

I have a case in point that should be harmless to give because the author is long gone.

There’s a book titled Miss Pettigrew lives for a day that was later made into a movie. I saw the movie first and liked it a lot. I was sure the book would be even better–it wasn’t. Mind you, I’ve only said this of maybe half a dozen books. Almost always the movie is inferior. (Just look at what they’ve done to The Chronicles of Narnia, even Disney sometimes disappoints me.)

The whole reason that the movie was better than the book was simply this: both portrayed two different outlooks, and two different lifestyles, but while the movie was honest about the pitfalls of both, the book very much leaned towards one (that I’d say was the worst of the two.) Plus, the book offered no real reflective moments in which the characters could see something new about life and themselves, whereas the movie had quite a few.

The difference was simply vision. The people who made the movie saw something in the story that they could speak to their audience about. the author of the book just wanted to impress upon them what kind of lifestyle was the more fun and free.

I am grateful to the people who really tried to say something good with their work. “Rise of the Guardians” is another example. The people behind it had something to show the kids and adults watching. It’s a great movie.

One of the reasons Moana originally was somewhat of a turn off to me was because I kept hearing that they were trying to make her the anti-Disney princess.  Presumably by giving her a different build, no lover interest, and her own adventure, they were accomplishing this.

First of all, Moana is not the first Disney girl to have no love interest and her own adventure, or a different build.

Second, if that’s what they think has captivated little girls, and even boys, for years about Disney Princesses, then they do not understand anything about making a quality character.

Children love Disney movies for a few simple reasons: One, there’s a clear hero and a clear villain. Two, they are animated nicely, (usually,) and so there is no problem with wanting to be a “part of that world.” Three, the music is often more unique and fun than you’ll find in other places, and what kids don’t like to sing and dance until they get old enough to be embarrassed about it?

But the last and most important reason that kids love Disney is because Disney tackles important subjects, and shows us things about real life, in a way kids can understand, and often adults still find profound.

The more we forget this and see Disney simply as a tool to teach kids to be as pluralistic as the rest of the culture, the less the movies will be good. Because the movies that promote that stuff are simply not good. How can they be? When to say that there is no right answer is to defeat the point of making a movie about it?

That’s all for now, until next time–Natasha.

“I am Moana” part 2.

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Okay, I’ve already outlined the story and the positive and negative elements of the film itself, now I want to get to my favorite part: The message.

It’s funny that directors often don’t know their own message very well. Everyone thinks Moana is about being true to yourself.

“You always, always say ‘be true to yourself,’ but you never say which part of yourself to be true to!”–Buddy, The Incredibles.

Well, as Buddy points out, being true to yourself is not as simple as just being told to be.

And what does it really mean anyway?

I won’t argue that a large part of Moana is devoted to that message, but I don’t think we should just apply it to Moana. What about the Ocean? The Ocean wrecks Moana’s canoe, twice; almost drowns her; almost drowns her father and does drown his best friend; it also doesn’t respond to Moana’s cries for help every time she want sit to. What is the deal with the Ocean?

Moana, as we all would, gets frustrated with her new “friend.” Maybe you have a friend like that, one who acts in ways you can’t understand. I do.

But I actually love that the ocean acts this way, because the Ocean reminds me of God.

I know Christians say this about virtually every movie, but don’t roll your eyes yet, I have an unusual reason.

If you’ve read the Chronicles of Narnia, you’ll recall that Aslan, the king, is not safe; but he’s good. Even in the movie they admit “He is not a tame lion.”

The wildness of Aslan frightens many people, in and out of the books, I might add. Aslan himself may not frighten those of us in the real world, but when we meet anything like him, we are frightened.

When it comes to things that aren’t alive, I’d say the Ocean takes the prize for being the most wild and unpredictable. You know why sailors are famous for cursing? You try being on a boat in the middle of rough water and see if you don’t at least think about it. I have been, it was one of the worst days of my life–and then there was the return trip.

No one can tame the Ocean. And that is something Moana needs to realize, no matter whether it chose her or not, the Ocean is still the Ocean, and it has to act according to its nature. Aslan admits to swallowing whole villages of people, to Jill, (in Book 6,) and not at all as if he is sorry or glad. He just is.

It is largely forgotten among the Church that God is like this. He is not predictable, we can not carry Him in our pocket. God Himself does destroy things, he does mete out justice, He does cause death. Many people hate Him for those reasons.

Yet God is not responsible for murder, for evil, or for every sorrow. But eh never tells us how we may know the difference between what he ahs caused and what other things have caused, He just ells us to trust Him.

This is why many people think Christians who are not fake are simply nuts. Well, maybe we are, maybe we are crazy for the sake of others, as Paul says.

But is it not somewhat crazy for Moana to set off alone, with her dumb chicken, to find Maui, who doesn’t seem the hero type even to her, and fight a lava monster single handedly after Maui abandons her like a jerk. (Really, if he’d just left it would have been one thing, but the mean things he says made me want to punch him.) Moana’s Grandma is crazy, and Moana definitely takes after her, but I loved it and I was not in the minority for once.

The Ocean teaches us a very important lesson: Good things are dangerous.

Things cannot be truly good until they are dangerous. Otherwise they are not tested. Evil things are also dangerous, but not in the same way. The difference, if we go by Jesus words, is one can destroy your body, the other can destroy body and soul, but the first is men, the second is God. Which is more good?

Of all the monsters in the realm, none of them defeats Moana or comes as close to it, as her disappointment and discouragement with the Ocean does. Good is far more dangerous than evil.

But that’s not bad. Because it’s good. That’s the paradox the movie is trying to show us. The Ocean helps Moana, just not in the way she expects, nor in the way she understands. For example, because the Ocean wrecked Moana a few times, she is not fazed when the Lava monster is making waves and nearly drowning her. She’s figured out how to swim.

And because Mona has had to do things without the Ocean’s help, she is brave enough to tell it to part when she needs Te Ka to come to her.

Because Moana has to carry so much of the weight, she is able to go on with or without Maui.

Maybe the Ocean knows what its doing.

The Ocean chose Moana for a reason, and I believe God chooses people for a reason too. But it’s not really about what’s special about us, it’s about if we will learn to trust.

That’s what’s great about Moana. It spends more time focusing on the journey than on why she was chosen, that becomes more apparent as we go.

Moana means Ocean, so the movie is really named after both of them, and Moana and the Ocean are in a sense, both the hero, neither is independent of the other.

Christians believe that God does not need people, but I personally believe that He has chosen to set this world up so that he does, in a sense. Not like we need things, it’s a different kind of need.

Moana realizes that our desires are awakened by something outside ourselves. That she longs for the Ocean because it calls her.

“And the call isn’t out there at all, it’s inside me. It’s like the tide, always falling and rising. I will carry you here in my heart to remind me, that come what may, I know the way. I am Moana!”

I am the ocean. Not that I literally am it, or that I have the power of it, but that the ocean is a part of me.

As weird as that may sound, the movie completely backs me up on it. Who we are is, literally, who we are called to be. Think about that sentence.

That song is what made me like the movie, and in my opinion, it’s why everyone likes it.

Is it better than “Let it go”? Of course not; they are two different songs that describe two different feelings, which are connected but are certainly not the same.

But Moana is like Frozen continued. Not good in the same way, but still good, and that is my verdict.

Until next time–Natasha.