What I learned from Fan Fiction–2

So, I googled images for writing fan fiction after my last post, and it turns out I’m like the 50th person to write on this subject, but chances are most people still haven’t read about it, since I never have…logically…

I may check out some other people’s perspectives later, but there’s nothing wrong with continuing with mine, that is why people read this…man I love blogs.

Anyway, picking up from part one, I talked about why fan fiction is written, and what it taught me functionally about writing characters and romance.

I think one of the reasons it works is because writers of fan fiction are imitating, and you learn by intimating. The quality of the source materiel is a huge part of whether or not this imitating it making you a good writer. Bad shows have fan fictions, and they typically suck. It’s hard to make it better than it already was if there was nothing praiseworthy to begin with.

But, starting from the assumption that what I like is already worthwhile😉, I’d like to get more into how and why I write fan fiction.

A part of me does wonder if it’s unhealthy and obsessive. Many people think it is and will mock fan fic-ers mercilessly. I don’t typically talk about it. Once I mentioned it to some other fans of a show I like, and one guy’s response was just “no.”

With that encouragement, I keep it to myself.

But I honestly believe fan fiction is awesome. It’s so much fun, and it helps you understand why you likes something, and why it’s good, and what it’s flaws are.

But fan fiction is always primarily about the characters. People write it to get more of their favorite. Often a character who is dead will be alive, one who left the show is still there, one who is good will be evil (I never do that, but I will make typically steadily good characters have a crisis), one who is evil will turn good (guilty as charged), and a lonely character may get paired with another. An interesting outcome of fan fictions, (and a staple of most of them), is the emergence of what is known as OCs, or Original Characters. And they are hated by a lot of people who read fan fiction out of curiosity. An OC is almost always a self insert character. Born out of the writer’s desire to experience the story for themselves.

And I do have OCs, not every OC is self insert, it typically is, but some writers come up with many of them just because they enjoy character design and creation; my sister does this, she has little interest in writing a story, she just comes up with a look and a background.

I did something more unique with my OCs, I actually repeat them. I reference my previous fan fictions each time I write a new one. I have a whole part of the story that’s original, which explains how each is connected. It’s actually a very interesting idea that I think is worth exploring, involving dimension travel and the like, but for now I’m sticking to how it helps me write.

By having repeating OCs, especially my main one, I double the learning experience of writing. When you have to make your character fit in with this other world, you have to ask what makes it different form yours, what makes it similar, how would the characters react to anew person? What can your ideas add to the story? Can they add anything?

Often the shipping fan fics do not add anything to the story, and that goes for their OCs. So they mostly just write however they want and ignore how characters act.

But leaving that aside, others have to think about it. Many people don’t care if it’s true to story because it’s “just fan fiction” but my sisters have made me stick to the story’s tempo, it’s heart, and it’s tone. They don’t think a fan fiction is any good if it cannot work within the show or movie. because if there was nothing good about it, why would you care? And if it’s good, don’t change the good.

Change the bad.

So yes, I “fix” thinks in my fan fictions. Healing the story is actually considered to be a huge part of critical writing and reading, it teaches us what we like, what we don’t, what we value, what we don’t, etc.

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Before you assume that makes us spoiled brats who have to have things our way, let me ask you, do you complain about your life?

Do you wish it was different?

Do you ever try to change people? (We all do it.)

Do you try to change circumstances?

Are you God? Are you all knowing? Did you bring yourself into this world? Can you control your life?

The answer to all four of those latter questions is no.

You aren’t really qualified to change your life, yet you still do, or you try, and sometimes you succeed.

That’s real. That’s has real consequence, you could screw it up royally.

But you still do it.

Now, if you, oh flawed, limited person, can do that with real life, are you really able to judge us for doing it with imaginary things? We can’t hurt anyone but ourselves by doing it. It’s fairly “safe” to mess up your fan fiction. You can try to change people, and never actually change anything except your own perspective.

And that’s why I write. I do it to get a better perspective.

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I have control in a story that I will never have in real life. It’s not a power trip thought, few things are as humbling as writing. It shows you how little you know. It forces you to limit yourself…and that actually helps you. Through writing fan fictions I’ve faced the fact that I can’t change people. I can learn from them, but in the end you have to believe people can change because they have the ability not because you can make them. You can try to help, but they have to be open.

See, I can change the events of a plot, and still change absolutely nothing. The problems remain. The only way I can solve them is to find the truth. And I turn to an outside source for that.

When I “fix” stories, I don’t do it by doing what I want solely to happen, what I want becomes merged with what I think would happen, and what I think is best for the characters. I don’t actually always enjoy what I write, but I do it to work out the issues.

Basically, fan fiction lets me do what my original stories don’t. It’s just like real life enough to present me with people’s real world problems, and then I ask: can this be helped? Is there an answer to this in my Faith?

So far, I have always found one. Fiction often mirrors biblical truths without knowing it does.

My own stories, I need to have the answer already, there’s not much time to learn it. Fan fictions let me explore until I find it, then I can take that into my next original story.

I know some people will never understand why fan fiction is helpful. But I don’t need them to, I know it is. That’s what matters, until next time–Natasha.

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What I learned from Fan Fiction–1.

Happy New Year! And Merry Christmas. Hope it was a good one.

I have not been posting and I really have no excuse, other than a lack of ideas and the fact that I’ve been spending all my writing time on a thing called Fan fiction, or Fan fic, if you’re in the millennial and under abbreviated word crowd.

Then I thought: Why not just blog about that?

Fan Fiction: The only literature more mocked than trashy romance and cheesy sci-fi.

IF you could even call some of it literature.

IF you’re unfortunate enough to ever google your favorite show or movie and search for “images” you probably know the disturbing porny stuff that will pop up. ( I wonder if I can adjust my filter for that?) I’m just looking for some innocent wallpaper or something, and I get this? Ewww!

Anyway, that in a nutshell is why people hate fan fiction, or at least consider it a sort of guilty pleasure and find nothing in it that would have any real meaning.

And some fan–all–fan fiction is the fans making what they think should happen happen, irregardless of what the creators of the content actually intend. Which many people think is disrespectful.

If you approach it from the perspective that there is no right way to write, then those people are right, but as all of you know, I believe in absolutes and standards that are above personal opinion, so I will make the argument that there IS a RIGHT way to WRITE, and fan fiction is then somewhat justified.

SOME of it is.

People write fan fiction for one of three or maybe two, reasons. They either ship certain characters, often LGBT ones, and the creators refuse to make it cannon, so they write the story how they think it should happen, but it’s typically very sexual, disgustingly so; porny; and at about the level of a 13-14 year old’s fantasy romance. No substance, all attraction and vanity. And yes, that was once me too. I moved on. (Just to be clear, I’ve never written a story like that, I just read them. We all make mistakes.)

The other, and more interesting reason, is the fans think the writers are doing something wrong with a certain character or plot point, and they change it. These fan fictions can actually be quite fascinating from what  hear, and sometimes the creators even think so and take inspiration from them. Fans can be smart writers and amazingly creative.

Now, you may think, if the fans think it’s wrong, why watch it?

Well, to use some more pop culture internet lingo, fan fic-ers are rarely HATERS. Haters are actually the bane of fandoms (and trolls), and will complain about literally anything, even if it’s precisely the opposite of what they complained about before. For example, they want a character to get some emotional development, the writers agree and write it in (chances are they were going to do it anyway) and the fan sees it, grudgingly acknowledges it was what they asked for…and then complains that some of it wasn’t in line with what they thought would happen.

This is sometimes justified if the character is acting completely funky. Like how in the Avengers movies Captain America completely changes his emotional issues every movie. He has no consistency–except feeling out of place in the future. Which wears n me because they do nothing with it except make me feel sad.

Cap was one of my favorite characters, but I can’t keep liking him if he keeps changing every time, and it’s kind of sad.

However, most of the time, that’s not the case and the haters are whiny babies as far as the material is concerned.

That’s not where fan fiction comes from. Fans who write fiction love the show, usually more than any other fans do, and are committed enough to devote hours of their time to their fantasy. They watch every episode (or installment if its’ movies) they study every scene, and they usually have some decent reasons for their complaints. The ones who actually have complaints and don’t just ship characters. and by the way, fan fic-ers who write to fix the story usually feel disgusted or at least amused with the ones who just ship people, it’s so vapid.

Not that it’s wrong, as long as it’s not porny, but it’s…just shipping, unless it grows the characters, what purpose does it serve? (I’ve explained in previous posts how I think shipping is good when it helps the characters and thereby the fans, but bad when it’s just about attraction and hormones.)

As you can guess by now, I also write fan fiction.

I was hesitant to start doing it, my first fan fiction was about the Justice League, I wrote some for Frozen, Kim Possible, more Justice League, Ever After High, and now RWBY. (If you’ve followed me for years, you probably have read about each of those in turn.)

Now don’t worry, I have no intention of posting this stuff in public. It’s only interesting to me and my siblings because we agree about how things should happen. But I thought I’d like to talk about what I learned from doing it.

Because believe it or not, I learned a lot form writing this stuff.

When I write, I ask God to lead me. whether it’s something I want to publish, or something I never want to. Because to me it doesn’t matter. I write to teach myself as much as other people, so even if they never see it, I’m still learning.

And the first thing Fan fic has taught me is to be a better writer.

I originally was a very preachy, pedantic, fundamental Christian writer. And while there is a place for all three of those things, I write fiction. And only a few geniuses have very balanced a very preachy message with a very good story. Hans Christian Andersen, George MacDonald, John Bunyan, Louisa May Alcott, those are a few I know of.

My fiction was okay back then but it was sorely lacking in nuance. At first, when I wrote fan fiction, I treated it the same way. I paid little attention to emotional development, and I didn’t know how to make the characters true to form.

This showed in my own stories in how I often failed to flesh out the characters I made up. I liked the adventure, but my character’s motivation often didn’t make sense.

But as I got older and read back over these fan fics, I realized the problem, and my sisters pointed it out also since they are the only people usually interested in them, and they pushed me to the point of annoyance to learn how to write the characters better…so I did.

I studied them, and  I started to recognize cues like expression, body language, word choice, and their outlook on life, and I started to incorporate it.

It was clumsy at first, since it is extremely hard to write characters who talk differently then you, react differently, and think differently, ask any new writer. IF you read people’s earlier books, even famous authors, you’ll notice the same thing. But I tried and tried…and now more often than not, I nail it. I can tell how a character would react because I’ve become way better at assessing them.

This carries over into my writing. One of my favorite books I’ve written has six main characters, and I gave each of them their own quirks, speech patterns, sense of humor (or lack thereof) and body language, I thoroughly enjoyed rereading it and my sister laughed out loud at a lot of their exchanges. I don’t think I could have written it without months of practicing in fan fictions.

Fan fictions are training stories for me. It’s where I practice new styles, concepts, and types of characters before I attempt to create some of my own. I find out what I’m good at writing, what I struggle with, and I practice it.

Another example: Romance

writing good romance is essential to an author who’s going to have a diverse cast of characters in their story. It’s bound to happen, and it’s fun to read, but I was very shy of writing it. Fan fiction helped me push past that. Knowing it wouldn’t go public, and no one but me necessarily has to see it, gave me the freedom to practice.

Romance is till probably my weakest writing point, but it’s improved immensely over time because of fan fiction.

That’s all I can fit into this, but next time I want to talk about the even more important reason I think fan fiction is awesome and crucial to many people.

Until next time–Natasha.

“If He raised the dead…”

If anyone has ever been forced to read Flannery O’Connor’s works for a class, then they’ve probably read “A Good Man is Hard to Find.” And though I thought from the title it might be a witty commentary on the modern way of dating, I was sadly disappointed to find out that  it mean a good man in general is hard to find…or woman.

Anyway, I’ll spare you the grisly details. The story really only has one interesting point or two in my mind, and that one is where the villain of the story, “The Misfit” discusses God with the grandmother, either our protagonist, victim, or other villain, depending on how you look at it. The Misfit declares that there is no way of knowing if Jesus really performed all the miracles he did, but that the most crucial one to know of would be if He indeed raised the dead. If he did, the Misfit thinks, then he was who he said He was. If he didn’t…then not.

The grandmother is unsure what to say, finding out that in the moment of danger it can be hard to actually believe what you’ve been in the habit of believing.

Jesus raising the dead is probably one of the hardest miracles for people to believe in. It’s the one that pushes our concept of what could be possible just a little too far.

Actually the Misfit is off if he thinks just that was proof. Some of the prophets also raised the dead, and later it is thought that Paul did the same, and Peter did it too.

And I’ve heard stories of it even in our modern time. Though it’s surprising how many people would be skeptical just because of that, who wouldn’t be of the Bible stories. We think that because it’s written down it’s far away, and somehow less spectacular.

Jesus raising the dead can be a weird story anyway, he did it no less than three times at least. Not counting after the crucifixion. One time, most famously, it was Lazarus; another time it was a man  Jairus’es daughter, and the third time it was the son of a widow. The last two times it was pretty straightforward but the Lazarus story is bizarre. Jesus purposely delays going to see him so that he cab perform the miracle to show his disciples that death has no power over Him. Yet with Jairus’es daughter he purposely makes sure not that many people are there to see.

Jesus mourns for Lazarus and his sisters’ grief even though he knows what is coming. Showing he does not minimize our pain, and that’s important, since we all know more people die than come back from the dead.

I think people are chary of this notion also because the culture has made an occult and zombie driven ritual of raising the dead. It’s easy to forget that those things are cheap imitations. I look at any power trick evil has as simply imitating something good.

This doesn’t answer he question of whether he did it or not. And to answer that,  and the corresponding criticism that religious people will believe anything, I would simply say that skeptics will believe anything in order to doubt.

If on can accept the other miracles Jesus did, then one has to accept that he raised the dead. It’s as simple as that. It’s all or none with God,, no half baked faith.

It’s funny that the Misfit imagines he’d want to believe any more if he’d been there, to those who have an open heart, all miracles are wonders, and to those who don’t every miracle is but a terror. We’ve probably all felt that panic at something totally unknown and strange to us, usually it lasts only a few moments till we get a reasonable explanation worked out, but a miracle is hard to dot hat with.

God’s miracles are things you have to get used to, but you can, most people don’t know that it’s possible.

Why though, is the Resurrection of the Dead so important to us, and to Christ, enough to make a statement of it?

There’s an idea that’s been going around for a long time that we should accept death as  a part of life. The phrase is kind of a self aware oxymoron. But it’s a part of several religions, and people can find it comforting to look at death as normal. We hate to feel like we’re particularly unlucky in experiencing loss.

But, The Bible would actually encourage people not to accept death, if it were taken at it’s word.

not only does it not ever tell us to just accept it and move on, but it deliberately makes a point of saying God is Lord even over death, and that he will overthrow it. Even the psalms are full of references to resurrection. We are told that event hose who die fro God are merely “sleeping” (which by the way, is I believe where the habit of calling it “at rest” came from.) In fact Jesus calls death sleep in at least two f the cases where he raises the dead, Lazarus and the girl.

This seems like denial…until they start to rise, and the Bible never gives us any indication that they were anything but normal. Jesus himself acts the same after he is raised from the dead…only cheerier perhaps now that the ordeal is over. We know that they ate. What we don’t know is how they felt about it.

We do know, from later scriptures that raising people from the dead is not the same as being given our new heavenly bodies. These people still have to eat and drink. They still walk the earth. It’s more of a returning to the norm, then it is becoming new.

That said, since becoming a new man is the whole point of Christianity, is raising the dead even necessary to the faith? Many would say no, because they don’t really believe it, or think it doesn’t effect them.

And hopefully I haven’t lost those of you who don’t believe this at all. Though I think I would have a long time ago if I were to.

But as I said, Jesus made a point of knowing us that death isn’t really so powerful. I think there are many reasons, one is that He doesn’t want us to fear it, another is that signs and wonders are part of serving him, still another is simply compassion.

What I wonder is why some people got a second chance at life. They probably didn’t need it to go to heaven, so why come back? It seems like it’s more for their loved ones. I really can’t answer that, I don’t know enough.

For now, I think I’ll just conclude with the thought that Raising the Dead is one of he pillars of the faith for a reason. Maybe we should all think about what that means to us.

Until next time–Natasha.

Character Grief.

That moment where you’re innocently watching your favorite show or reading your favorite book series and then it happens. you stare at the page/screen in abject horror. You slam the book shut, you shut your laptop. You yell “How could this happen!” You scream.

Because what just happened was they did something you never saw coming and you felt in your bones was a bad idea even if you did.

Now you’re left with that strange phenomenon known as Character Grief.

Actually I just made up that term just now, but it’s a thing.

It’s not a fun condition, but not everyone suffers from it. Here’s a way to rate yourself.

1-5: If you are mildly annoyed, and tell your friends or family it was stupid, but other than that you don’t do much.

5-10: You cry and can’t bear to continue, or you cry and then re-watch or reread said materiel over and over again because it’s cathartic, and tell your friends because misery loves company.

10-15: You give up the material in favor of less infuriating entertainment and proceed to tell everyone else it’s no longer worth their time.

15-20: You get so upset that you figure out ways to solve what happened and fan fic your way to mental peace. Extra points if you convince your family or friends to join you.

And extra points if you do every single one of these things. Like I do. Except cry, I rarely do that.

Character grief is different form plot frustration. It’s more personal. It sticks you in your craw and wounds you to your whimsical/imaginative core.

I think Character Grief happens in one of three ways.

  1. The least painful, most annoying way is when your favorite character simply is left out or disappears from the story. This can happen with books made into movies, like how Tom Bombadil got left out of Lord of The Rings. And all my favorite characters got left out of the second Anne of Green Gables movie.
  2.  The most painful, actual death. I mean unforeseen, or totally unwanted character death. It feels unnecessary and it leaves you sad for days. Probably you can’t even go back to the story without crying or reliving those emotions.
  3.  The last way is the most poisonous, but that does make it easier to be mad about and less sad. It’s when a character is radically changed for the worst. They could turn evil (like Ever After High), or they could lose their most lovable personality traits. This happens a lot with the books to movies thing , but it also happens when new writers or producers take over, or the creators stop caring for whatever reason. Like Shrek: the Final Chapter. The change is usually brought on by the character doing something they would never actually do if you went by previous traits they exemplified. The action violates their moral code, and they haven’t been brainwashed or anything that would make it seem reasonable.

The last two bother me way more than the first one. And I take it hard. I can’t just quit the thing like some folks who don’t get involved.

So I though I’d write this post to speculate about why Character Grief happens. There’s probably research on it out there, but it’s tricky to explain because every person is different.

The first thing that shocks you about character grief is that it feels like real grief. Though a part of you remains separate from it because you know they cough* aren’t cough* real. (Angry gasps form people who’ve felt this before.) yet you still feel sad, mad, and in denial just like when real grief strikes.

Actually, with real grief I tend to go numb. A part of me just can’t believe it really happened. Even when I accept it, I don’t feel strong, out of control emotions. I don’t sink into depression. somehow I distance myself form loss. I don’t know if that’s a good thing. I’m learning to explore those emotions more.

But character grief has a way of cutting through my defenses. Much the way spiritual things do. It’s almost like when I can see and hear the loss, and it affects my physical world, I handle it. But when I can’t, and it doesn’t seem to, then I get cut to the quick.

With real loss, I feel the unfairness and helplessness people talk about.

With loss in imaginary things, I feel like my heart got ripped out.

I think partly because in fiction, you see people more clearly than in real life. There’s less sin and misunderstanding to cloud your vision. You just see them s people.

Maybe if in real life we could be that honest with each other, caring would be easier.

because to be honest, we make it hard for people to love us, don’t we?

I know I can be difficult. The people who love me most are the ones I can’t hide from as well.

With strangers we are on our best behavior, but do we really connect with people until we know they’re flawed and we accept them anyway?

I love characters who are better than me because I can see them just as people, I don’t have to worry about them doing wrong that I’ll have to fight against. IF they do slip up, I know they’ll recover.

The people in my life who I know will pick themselves up after they fall are the ones I trust the most.

In fiction, losing that person, whether to bad writing, or to a tragic end even if it is well written, can feel like losing a friend.

People have always thought those who have imaginary characters as friends were kind of odd. But I think we have them because they have more of the author’s soul than we might see if we just met the person. When we can get our cumbersome flaws and failings out of the way through our creativity, we see each other better.

Not that it always goes well, but fiction fans live off the times that it does.

Some other time I’ll talk about how character grief can also teach us about hope, but I’m out of time for now, until next post–Natasha.

Pure Love and the human condition.

Hi, sorry I’ve neglected you guys. I was not feeling good this week and I had a lot of homework to catch up on. Thankfully my books arrived!

I’ve had the time, however, to get hooked on a new show, it’s called RWBY. I don’t often say this about anime anything, but I recommend it a lot, though it is not finished yet, and if you watch, be prepared to wait a few years for the conclusion because each season takes about a year to come out.

But two seasons was enough to sell me on it, season 3 ripped my heart out, and seasons 4 and 5 continued to blow my mind. Season 6 comes out next month.

A little summary before I get to my real point: RWBY is basically a superhero team set in a fantasy world with heavy spiritual undertones. Or even overtones sometimes. It features a host of likable, deep, smart, and none cliche heroes who you actually want to imitate though you wouldn’t want to be them per sec because they have problems. Not petty issues, but actual life challenges. I’m pretty sure this show is aimed at older teens. The show features villains who you will utterly despise even though their motivations are explained to you, which is a plus in my book since I never liked sympathizing with evil characters. They are not two dimensional, but the show makes it very clear they are evil and you do not want to be like them.

But that’s enough about the show. What I really want to talk about is the contrast between the show’s view of human nature, and the one I’m getting in my Critical Thinking Class. I don’t know who picked my curriculum, but it’s been the most depressing stuff I’ve read in a long time. and I just read Fahrenheit 451. Each short story or novella has featured the theme of human nature, I guess it’s the point we’re focusing on for these weeks.

According to these authors, human beings are cruel, unfeeling, ungrateful, willing to abandon loved ones as soon as they become an inconvenience, and on the brink of insanity constantly.

I know some cynical person might look at that list and say “That sounds about right.” Yeah, that person might not like what I’m going to say.

THIS IS WRONG! WRONG. WRONG. WRONG.

I won’t name all my sources here because I think you’re better off not reading them, but the highlights are a story about a man turning into a cockroach and becoming a monster to his family; a woman killing her boyfriend and committing necrophilia; a man with a mentally disturbed employee who starves himself to death after becoming a nuisance to everyone around him; and a man who removes his wife’s one blemish because he can’t bear imperfection and kills her by doing so.

Now if all those sound like something you’d never want to read, be glad you aren’t required to for the course. I actually enjoyed a chapter about straight logic more than I enjoyed any of those.

I do come up with dramatic things when I write my fiction, but I stick mainly to what I’ve seen on TV, or what I observes in the spiritual way of things. You could argue the case for all the above stories having spiritual connotations, but they aren’t ones worth being talked about.

The Bible says of the corrupt that it is shameful to even speak of the things which they do in secret. I don’t think it means that you never expose wickedness. But you should be really careful what you talk about just for the sake of conversation or discussion. No one should bring up the darkest parts of humanity for table talk.

By contrast, RWBY, unlike all the stories I read, has the bad and good sides of people both. It’s most notable example is Pyrrha Nikos, who is hands down one of the best characters I ever saw on a show. Pyrrha demonstrates something that I have seen in stories I’ve read by C. S. Lewis, Louisa May Alcott, and Francis Burnette (A little Princess and The Secret Garden.) Stories like Heidi, The Enchanted April, The Bronze Bow, Anne of Green Gables, or even comics like Mr. Miracle and Spiderman, all contain exceptional people. People who, as George MacDonald would say, demonstrate “the common good uncommonly developed.” It’s my rule of thumb that if you find no true love in a story, then you find no truth. You’ll never separate those two things with any degree of honesty. You have to search for that one character or theme that demonstrates love, pure love.

Pure Love is an ideal for human beings. While it is possible for us to have it, it takes much growth and much sacrifice on our part. It is true that few of us are willing to undergo that kind of suffering. I could describe Pure Love as a concept, but I prefer using characters. Characters work better than real people in this case because unless you’re fortunate enough to know someone like them, most of us haven’t met anyone who exudes that kind of love all the time. A character is someone all of us could potentially see and hopefully understand.

Pyrrha Nikos struck me because I could never catch her doing anything selfish, no matter what scene she was in. All she ever seems to want is to connect with people and help them. I have seen a few characters like that, but they got ruined in the end by irresponsible writing. Surely I am not the only one tired of show writers growing cynical about their own characters and dooming them by violating the characters own convictions for the sake of the plot…ick.

The point is Pyrrha and the others stand up for what is right and don’t want to just stand by and let bad things happen. And I believe there are people like that in the world.

You probably won’t find them on TV all that much because unfortunately, the reason these stories are on my curriculum is because as a culture we have turned to the dark and the depressing, the antihero and the straight up bad guy. Our world is sick. But, that does not mean we do not have the healers in it. I don’t know anyone who always radiates love except Jesus, but I do know I want to be that person. I have a long way to go. But because I believe God transforms us, I believe I can get there.

The short stories made me feel like garbage, selfish scum of the earth, and that was not based in any reality or likelihood that I would do what the people in the stories did. I can honestly say I wouldn’t. But these stories don’t make me sit back and ponder my life choices as much as they make me think “people suck, at least the ones who wrote this trash did.”

RWBY shocked me with it’s real look at what it’s like to be in a war against evil, but that shock made me remember values I’ve been forgetting for some time now. And it made me want to live up to them again. A part of me was beginning to think having pure love was impossible, but I was reminded that I sure as heck should keep trying anyway.

It’s a pretty pass when an internet show has a better grasp of reality than literature in a Critical Thinking Class, but one cannot disregard humble messengers. Oddly enough, people who expect to be taken seriously the least can often put out the most worthwhile material, because who do they have to impress?

I guess my closing thought is, surround yourself not with what seems the most hard look at life, but with the one that strengthens your values and makes you want to be a better person. That’s the stuff worth engaging in.

Until next time–Natasha.

The Genius of Phineas and Ferb.

So here’s a home-schooled joke, Phineas and Ferb are actually our Math and Science Teachers

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The implication being we’re smart enough to figure out both those things by watching Phineas and Ferb work. Not quite.

But I do think I have one thing in common with Phineas and Ferb, I love to imagine things beyond possible.

Maybe not like them, not now that I got old and realistic and boring. But I still have a very active imagination.

The whole premise of the show could basically being able to do whatever you can imagine doing, every kid’s dream, that you could never get in trouble for it. And you would never get hurt.

Sign me up for that.

What I think really made the show genius though was the combination of blatant mocking and on point subtly.

The show makes fun of everyone. The people on it, the people watching it, the thins we do as a society, the things we used to do. This it does obviously. Almost too on the nose sometimes, you do kind of wince. And roll your eyes.

The subtlety comes in with the characters themselves. Before I watched all the episodes I thought the characters were cut and dried, they were two dimensional, right? (Ha Ha.)

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I was wrong. Overtime the writers developed these characters. The beauty of it was the characters are still basically ordinary people. The dull and boring adults, the anger mismanaged bully, the school obsessed nerd. (Me–just kidding.) The older sister who just wants her brothers to be normal. And Phineas and Ferb themselves are just too little boys doing what they love and bringing their friends along for the ride.

Isabella, the girl with a major crush on Phineas is a normal girl too. Vanessa, my personal favorite, is a moody teenager but with a good heart.

And they all are these average things, but the show makes those things out to be special in of themselves. It may be normal for little boys to have bid imaginations and big dreams, but isn’t that also a astounding thing?

Candace is a  tempestuous teenager, but she can also do amazing things when she’s motivated and proves herself to be dependable where it counts.

Buford is a bully, but he changes under the influence of good clean fun with his new friends, who go from being his victims to being his best buddies over the course of the Summer.

Baljeet becomes less wimpy and more adventurous after hanging out with the others.

Isabella is very girly, but it doesn’t make her any less cool. She does incredible things just like the boys, but owns being a girl the whole time. Unashamedly wearing pink jumpers, hair bows, and going for sparkles and butterflies and hearts.

Vanessa is shown to be able to do any number of cool things, and despite being the moody one, proves to be the most emotionally intelligent person on the show. (Possibly one of the most intelligent period.) and though she seems to have a dark side, int he end she convinces her dad to be a good guy.

My favorite thing about Phineas and Ferb is how they nail touching moments, even while being silly and nonsensical, simply because they themselves are good people, not perfect, but good. Guys you’d want to be friends with.

I also, as a writer and actor, have to appreciate that Jeff and Swampy (the writers) got to let their imaginations go, make fun of everyone, reference all their favorite science fiction/adventure shows and movies, and write songs about stuff no one else thinks is worth singing about in all genres of the spectrum…and get paid for it for 8 years! Then asked to come back for another show.

I want a job like that, man.

Unlike other Disney channel and kids’ network show characters, who constantly disappoint you with making stupid, cruel, or irresponsible decisions. Phineas and Ferb tend to come through for people on the moral crisises, and do it in a fun way.

Sure, it runs a little too far off the deep end sometimes. Sometimes the mockery is too much. But nobody is perfect.

What I think matters is that this show gives you ideas and sparks creativity. And in its own toned down way, it makes me feel more kindly toward the people around me by reminding me that even when they are ordinary, they can be extraordinary.

Which may sound like sap, but it’s really true when you think about it. People around you tend to surprise you.

It’d be a faithful saying that if you’re a optimist about human nature, human nature will prove you wrong; and if you’re cynical about human nature, human nature will still prove you wrong.

My dad likes to harp on how millennials are stupid and flaky, then he is surprise a lot when he finds one who isn’t.

If you were convinced all young people were brilliant, as some people are, I’m afraid you need to meet some of the ones I know…sorry, we’re not all brilliant. I am, but not all of us. (wink.)

But as Phineas and Ferb shows us, even in stupid people there are flashes of brilliance. Or there may be hidden genius no one ever taught them to use. And int he smartest people there can be total cluelessness. And in humble people just there to help, the truest character can be found. (Isabella being my example here.)

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I read a book expounding on how the Peanuts could be telling us the message of the Gospel. Phineas and Ferb is very similar to a newer, animated version oft he Peanuts, with less pessimism from the main characters. While I won’t make the claim that Phineas and Ferb was in any way a Christian show, I will say that it had some solid values and I definitely hope to share it with my kids some day.

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That’s all for now, until next time–Natasha.

[All photos are from Google and I am in no way claiming them to be my own or using them for monetary gain.]