Guardians of the Galaxy vol #2

I held off saying anything about this move until I’d actually seen it, and now I finally have! (celebratory noises.)

I do think it had way more inappropriate humor than necessary and earns that PG-13 rating in full. And it had a lot of gross stuff, more than the first one.

That’s only superficial elements. What was this movie about?

I agree with the other people who reviewed it, it’s about family, parenthood, forgiveness, and how pride gets in the way of really bonding with people.

This film is about how friends can be better than family because it’s not blood that makes loyalty but the choice of the person. There’s actually a verse in Proverbs about it “there is a friend that sticks closer than a brother.” Proverbs was written by Solomon, who had brothers who wanted to kill him, so his point of view makes sense.

I found Nebula a little disconcerting, something about her is always kind of sadist and psyco and even though you know she’s had a horrible life I don’t think trying to kill your sister is okay, even if they were bad. I also have to say Gomorrah “joking” about killing Nebula didn’t seem in character after the first film in which she made it a point to try to get her on their side.

Am I nitpicking? Maybe.

But by far the biggest concern to me personally is the character of Ego. I’m aware that some people out there probably think he’s supposed to represent God. Or Jesus. Because I’ve seen hints of theories like that, though I have yet to watch or read any.

But now that I’ve seen the film, I do see some similarities (on the surface) between Christ and Ego. Actually, it’s my theory that the movie was parodying the whole trinity. But Christ especially, because Ego is all like “Oh I walked among them and took their form and then I decided I wanted to fill the universe with copies of me.”

A person could make the argument, and I wouldn’t blame them, that this is a lot like what the Bible says Jesus did. He became flesh, dwelt among us, and he wants to make us like him. (Like him, not into him.)

That doesn’t sound at all creepy to me, I was raised hearing it, but the way the movie portrayed it, I suddenly saw how it could seem creepy to someone else. And it should.

Because if that was all there was to the story, I’d be freaked out too.

Ego is all about himself, he doesn’t even really seem to care about being worshipped, except by Peter, though he enjoys the admiration he gets. He just wants everything to be made of the same matter as himself.

He also has killed off all of his children as soon as they let him down, and some would see a parallel to God in this also. (A false one, but still.)

And no, I’m not afraid to bring all this up, and I admit that on the surface, it might look right.

But here’s a Christian’s perspective on this:

You could believe that God is like Ego, but God is way more powerful, and also just. Which Ego is not.

Actually you know who Ego really resembles? Satan.

I’m not kidding. There’s this part of the movie where Ego is going on about how “We will do all this…” and he lists several things. Is sounds eerily like a passage in the Bible where Lucifer is saying “I will be like The Most High.” a.k.a. “I will be like God.”

And you remember when Ego said that he was a small “g” god, at least on days he was feeling as humble as Drax?

The defining characteristic of God is Love. You know what Ego is another word for? Pride. Which is the defining characteristic of Lucifer.

Yep.

And actually, everything Ego did, Christians believe Satan either did or will do. Right down to making biological life forms. It may seem bizarre, but our own scientists are already able to do that, so…

In fact, the similarities to Christ can all be attributed to the fact that The devil will become the antichrist. Which you don’t have to believe is true to acknowledge that it is still biblical.

And in my mind, Ego is that. For he does not love, he rejects love as weak (like the devil;) he wants to remove free will (like the devil) and he wants to destroy all other life save what he can use (like the devil.)

I understand that this is all my own perspective, and some people out there might think I’m conveniently transferring all the clues into a picture I actually like. And maybe I am.

I won’t deny, I do wonder if the director of the movie is trying to mock God, or show contempt for our ideals. But the fact of the matter is, no one can successfully mock God.

The only way people can do that is by inventing things about him to mock. People do this to other people anyway. much more to beings they can’t understand.

Whether James Gunn meant to mock God; meant to show how pride twists all attributes; or just meant to tell an interesting story with a  metaphor; I can’t say. But that he does not know how true that metaphor actually is, I have no doubt.

One thing I do appreciate is how all the characters seemed to sense something was wrong about Ego and his planet, and I certainly got that impression watching it. There was something uncanny about it.

One more point: Ego made matter from himself, but even he was obviously created, because when he came to consciousness there were other life forms in existence. There was other matter. This again fits in with him being like the devil, but it also raise the question, where did all that other matter come from?

I don’t expect Marvel to ever actually admit there’s a God in their films. But I still think the existence of superheroes only makes sense in that context. That could just be me.

Anyway, I hope some of this made sense. Until next time–Natasha.

 

 

 

Shallow Hal

“Shallow Hal wants a gal,” that line sums up most of this movie.

Whether or not you’ve heard of this story specifically, I’m sure you’ve heard that Beauty is not only skin deep, and it’s about what’s inside.

That’s all well and good. But does this movie make that point well?

Here’s the good and bad of Shallow Hal.

Good: Hal is a loser, who’s trying to find a hottie to go out with, but he’s not that good looking, so most of the hotties he meets aren’t interested in him. Even his neighbor, Jill, who’s less shallow, is disgusted by his shallowness and not interested.

But after a self-help guru helps him broaden his horizons (sort of) Hal starts getting successful with the hotties he’s flirting with. They seem a bit surprised by his attentions, but they go along. Then he meets Rosemary, a blonde beauty with a great personality who’s also really nice. He’s scored big time!

Until he finds out that he’d be seeing everyone as they are on the inside.

Long story short, Hal gets over his shock, and his shallowness because he’s fallen in love with Rosemary for who she really is. They go off to live happily ever after (after a few hurdles he has to clear.)

Bad: This movie’s number one sin is how stereotypical it is. The whole plot almost revolves around stereotypes. Even though the guru says “We’re all brainwashed to see certain things as beautiful, by society.” (I paraphrase.)

But the movie implies that society is partly right. If a girl is nice, smart, and funny, then she’s obviously not pretty. Or she’s pretty but doesn’t realize it. And there is some evidence in Rosemary’s character to support this. She’s pretty, in her own way, but believes she’s ugly and fat. She is fat, but Hal still thinks she’s beautiful when he finally sees her at the end.

But what made me kind of annoyed is that anytime we, as the audience, see Rosemary in a good light is when she looks like Gweneth Paltrow, who plays her. Whenever we see her as fat, she’s always being insecure, upset, and otherwise less desirable. We don’t get to see her humor or smarts except when she looks pretty.

This might seem to defy the stereotype that pretty girls are stupid or mean, but it really doesn’t. We know the whole time what she really looks like, The effect is that at the end it’s hard to see why Hal is attracted to her, since we’ve never seen chemistry between him and her in her real form.

Say as much as you like about what her real form actually is, it still doesn’t work in the context of  movie where you need to be able to see it.

Also, I find it offensive that the movie doesn’t give one example of a pretty girl in real life who was also pretty on the inside. Other than Rosemary that is. I’m not sure she counts.

Possibly there were one or two, but we don’t see for sure, so it seems incomplete. Also there’s no example of an ugly person who was ugly on the inside.

The movie ignores the fact that inner beauty makes outer beauty and inner ugliness makes outer ugliness. Which is a tried and true fact. Lots of people have observed it and written of it.

It’s a valid point to make that Hal never was looking for either inner beauty or ugliness, so of course he missed both.

But does that help us as the audience? The movie lays down no real guidelines as to discerning inner beauty, other than that someone does things which are culturally perceived as nice.

But wouldn’t even a beauty want to help her Grandma?

Couldn’t people working at the Peace Corp have bad motives?

The nurse at the hospital does indeed look ugly, and act ugly. But we never see her in real life to know if she was pretty on the outside or if she was ugly there too.

We just don’t know.

Maybe I am asking more of this movie than it ever meant to give. I think Shallow Hal is what it intended to be. A slightly different take on a Romantic Comedy in which instead of a girl getting a makeover, a man has to learn to accept her how she is.

But I don’t think it’s true that society has brainwashed us all into perceiving beauty. Different cultures have different ideas of beauty, yes. (Sometimes that can work out in your favor.)

But it would be incredibly racist, as well as untrue, to say that our culture blinds us to the beauty of people in other cultures.

White people can find African American’s attractive; American’s can find Asians attractive; and in many cultures looking American is seen as an enviable thing because they associate wealth and strength with America. While in other cases, looking Jewish or African has made people uglier to countries that hated them.

Sometimes that hatred actually takes advantage of the beauty in those races.

But the point I’m making is, beauty is universally acknowledged. And most people wouldn’t argue about external features being beautiful. Even if they have a different taste.

Just because you like tall, dark, and handsome doesn’t mean you find short or blonde unattractive.

So this brainwashing line of reasoning doesn’t hold up.

The verdict:

In the end Shallow Hal is more about how love makes you desirable than it is about how our culture is wrong about its standards. It’s an okay movie, but there are better sources for the subject of superficiality.

Hope you enjoyed, until next time–Natasha.

How to recognize a weasel.

I have finally watched the new “Beauty and the Beast.” I didn’t actually want to buy it or go see it in theaters but by a stroke of luck I got the opportunity to see it for free and judge if it was as bad as I thought.

It was exactly what I expected.

Now, I post unpopular opinions so often on this blog that I take it a lot of my readers must share them, but if you liked this movie, I can sort of see why.

The visuals were a lot better than the old one. The singing was better, I thought. I won’t say I didn’t feel a little moved by “Tale as old as time.” The only song of that film I’ve always liked. Nor was I too upset that “Human Again” was removed, which I never liked. (I never liked any of the other songs, for whatever reason. Just like I liked all the Lion King songs except the ever popular Hakuna Matata.)

I will say the Beast was pretty charming. /he seemd older as a beast, but it worked for him really well. I also never cared overmuch for him in the old one, so it was an imporvement.

But I will always say Emma Watson was the wrong choice for Belle, exspecially without revising Belle’s character at all. Gosh, I never could stand her anyway.

What is jusst killing is that I have a lot in commom with Belle, and yet I find her just so annoying.

That said, I was not unbiased going into this film. Nor was I unibased on the religious front. IF you know what I mean.

So it’s no surpirse I didn’t like it. I thought some moments were right, and I felt something, but other moments just took me down from the high.

Now to ge tinto my actual problems with it.

The film had a big Gay sticker stamped right across its forehead. I’ve watched lot sof films featuring gay characters simply because they seem to be  token character now. But not as many that were so clearly trying to make a statement. And to get into kids heads.

AM I exaggerating?

Well let’s explore that. When a movie has a man commenting on the proportions of another man in a creepy way, has a man dressed as a woman told to “be free,” has a freaking teapot tell a guy that he cold do better than Gaston…nope. Not exaggerating.

Can I just say that I’ve never approved of sex jokes and references in kid’s films even when they were limited to the hetero-sexual. I think kids just don’t need to hear that crud.

But it’s even worse when it’s done in this manner. Sly, sneaking; surreptitious.

This may sound weird, but I actually prefer bawdy jokes that are said in a bawdy way just because the people saying them at least are acknowledging that they’re inappropriate. But I don’t like this highly controversial subject treated as admirable and normal and romantic by a freaking remake of an old kid’s movie. Hasn’t anyone in the audience ever heard of propaganda?

Sorry, sorry, I’m getting a little carried away. I’m sure plenty of parents didn’t let their kids watch it. And I wouldn’t let my kids watch it. I was actually glad that my young cousin was out of the room for pretty much every bad moment of the movie.

It’s no secret that I’m not progressive in my views. I don’t excuse any of the film-writers who were for making this film because what they did was still wrong.

I think someone might ask me, would I mind if it had been a christian message? The truth is: it depends

Because Christian messages are mostly family friendly. Now if the christian message was about chastity or adultery or something, I would say no, don’t put that in a kids’ film, that’s sick.

And if you must promote gayness, promote it in a film that grown up people are going to watch, making their own choice.

I do have a problem with Christians bending the truth or using stereotypes to promote Christianity. I find it horrifying that anyone claiming to know the Truth would have to lie to get it across.

But the fact is, Christian movies are at least honest about being Christian. You know what you’re getting into when you watch one.

But then again, the director did warn us about the “nice gay moment.”

I’d like to address Lafou actually. As I’ve said, I hate the old Beauty and the Beast. And he was one of the worst parts of it. But not because he acted gay. he doesn’t.

Lafou’s name means fool, and that’s what he’d supposed to be. He’s enamored of Gaston’s popularity and strength and hangs around him because it makes him somehow cooler by associations…and it sort of works. He does get the whole town to join him in singing Gaston’s praises.

I mean, doesn’t anyone get what a kiss-up looks like anymore? That’s what Lafou is, he’s a brown nosing little weasel, who does whatever Gaston tells him to because he’s intimidated by him. We see Gaston threaten him during their first scene.

And everyone is singing about Gaston, so you’d have to convince me that every single married man in that town is gay before it proved anything. But why it should even be a cartoon character in a kid’s movie promoting homosexuality, I don’t know.

There is such a thing as guys admiring other guys for bad reasons. It’s called peer influence. It causes a lot of problems.

And frankly, I think turning that into something else takes away  he actual lesson we’re supposed to learn from those characters. Lafou and Gaston represent loser who judge by appearance. Lafou is the follower, Gaston is the self absorbed jerk. And by the way, Lafou does despicable things in the original without feeling a bit sorry for them, he’s just as rotten as Gaston, only less liked, because he’s not buff and handsome. Is this really so hard to understand?

Yet everywhere I look people are interpreting it as infatuation. Ugh.

This does make me mad because no one is going to remember the actual message of not hanging around people just because they’re popular and good looking.

And the impertinence of this movie, thumbing its nose at everyone who disagrees with its message. There was nothing respectful about the way it presented any of its themes. (I might add, it didn’t do such a good job of following up its other messages. It was too busy being progressive.)

Now, you didn’t hear me say that I hate gay people. I don’t. My complaint is against what this film and its writers are trying to do.

There are worse movies, but if this is the new road Disney is taking, I might have to jump off the train. But I have higher hopes for other movies coming out.

Until next time–Natasha.

Thoughts on The Spiderman Trilogy.

Hey folks, so the Solar eclipse is happening right now. Pretty cool right?

Of course no one will read this until it’s over, probably.

I don’t have any real thought provoking observations about it, there’s plenty of those out there, I’m sure.

It is funny to think I haven’t lived to see one of these yet, and I’ll probably live to see only one more. Of course form where I am, I can’t see it fully.

But I digress.

I really like the old Spiderman movies, with Tobey Maguire. They’re a bit old fashioned, but then so am I.

And I only just saw 1 and 2 this year. So it’s new to me.

I know they aren’t the most epic of superhero movies, but I think that’s part of their charm.

Whoever wrote those films, (Raimer wasn’t it?) knew how to use superheroes. I think the themes of all three are pretty great, even if the third one is notoriously inferior. (I haven’t seen it yet, but I ‘m not convinced I would hate it.)

The trilogy is dealing always with the question of power. with power comes responsibility. But many people don’t live up to that responsibility.

There’s the Green Goblin, Osborne, who misuses first his business power to do a dangerous experiment, and then gets corrupted by the effect that experiment had on him. He ends up going completely insane.

Then there’s Dr. Octopus, who was definitely less desperate to begin with, but was over confident about a power source he couldn’t really control or understand, he gets turned into a monster by it, but in the end his better self is able to overcome it and he saves the day. Only after he is willing to let that power go.

In the third movie there’s three villains. Harry Osborne, who is following in his father’s footsteps. The Sandman, who I know the least about, but is given power by an accident if I remember right. And Venom, who is the worst of all.

In the third movie, Spiderman is also abusing power. In the first two, his struggle was leaning what to use it for, and whether he really should use it all, this time around he is struggling with wanting more. The struggle his first two foes were falling to has finally come around to him.

Which is important to note, you will always be tested on the same things your greatest enemies are, your greatest enemies are always the ones who had the opportunity to be heroes  and chose the wrong thing. That’s why so often the good guy is the better version of the bad guy. With similar skills and personality traits, but with a stronger character. Because it’s always hardest to fight yourself.

In the end of the third film, two of the villains give up on villainy; one forgives Peter, the other just decided to stop, (I think, I’ve seen bits and pieces only) like Dr, Octopus. The third one decides to embrace the monstrous power, and enjoys being bad. Some villains do. The others all denied really being evil, but this guy got a kick out of the thrills of it. No rules, and all that.

Peter Parker finally rejects the power of the weird alien goop because he realizes it’s making him into the wrong kind of person.

This seems like a decent way to cap off the first two films to me, I think the complaint is it was too choppy and spread out over three separate stories. IT wouldn’t be the first movie like that.

but the idea at least was good. Thought the mud always freaked me out and still does, but I think it’s like The Ring of Power. IT’s supposed to scare you so you know hwy it has to be resisted. (Where did that instinct go? Now it seems like people embrace the fear and want more of what’s causing it, instead of knowing to run from it.)

Tobey MAguire’s PEter Parker had charm becuase he was really just a normal guy, with extraordinary character, given extraordinary powers at a confusing time of his life.

But it’s like it was planned. With the exception of Harry’s Hobgoblin persona, none of Spiderman’s villains are born because of something he did. Not like Ultron, or even Loki, or Hydra’s reoccurring villains. All of them would have risen up whether or not there was a Spiderman. But Spider man was given his power at just the right time to stop the Green Goblin, and later all the rest.

Actually, you could see special planning in how he stopped Dr. Octopus. Spiderman had no cause to know Otto Octavious, but by sheer luck it seems, Peter got to meet him before he went bonkers, and so was able to talk him back into himself.

And Harry was his friend. So was Venom, briefly, but not really a good one.

There’s really a Supernatural aspect to the three films. And I don’t say that just because I look for it, it was glaringly obvious form the first one.

Here’s why I think that makes them better.

If Superheroes were in fact real (and the Bible has at least one, if not more, that were real;) then I would expect their powers to be a gift from God, to protect His people from some great threat that ordinary abilities just won’t cover. If they gave themselves powers, I would expect it to corrupt them, because power that is grasped at will corrupt.

The Bible says that Jesus did not consider equality with God a thing to be grasped. But Satan did. Jesus is our savior, Satan is the great enemy. Because equality with God means having all power, over all things. Jesus didn’t try to take it, it was given to him. (Read the first part of the Gospels for the whole story.) Satan tried to take it, he got cast down.

Which is precisely what happens to Spiderman’s villains. They try to harness power and it destroys their lives. But Peter is given power, and though it test his endurance, in the end he knows it’s his gift. Something he has to use for others.

I am not saying Peter Parker represent Jesus, I am not one of those people. I think few superheros even being to fit the role of a Christ character. They aren’t supposed to.

They are heroes, plain and simple. The kind of heroes we should all strive to be. Whether we can climb walls or see through them or not. Whether we can fly or shrink or shoot an arrow backwards. (By the way, I took archery for awhile, I still have serious doubts about Hawkeye being able to do that. Even if he looked first, it could change in a split second. But it sure is a cool trick if you suspend disbelief.)

If anyone but Peter Parker was Spiderman, Spiderman could not be what he is. That’s why the trilogy was smart to focus on how Peter Parker’s normal life is such a huge part of his Spiderman life.

Those are my thoughts for now, unil next time–Natasha.

The Avengers: Age of Ultron

I know this movie is old news now, but I saw it for the first time yesterday, SI I thought I’d give my thoughts on it.

I’ve made no secret of my general disinterest in the Avengers, but I like to keep moderately up to date on them. I guess I’m hoping I’ll finally see what everyone else sees in it.

I’ll list the positives first: The character interaction of this film felt way more authentic to me than it did in the first one. You can buy that these people have known each other for awhile now. Clint Barton’s family was a cool part, and how Natasha is basically like their aunt, that’s cool.

Also the action made a bit more sense this time around, it wasn’t as all over the place as the first one felt, at least to me.

Fury was barely in it, but he always makes the plot more confusing so that was actually a good thing. He was in it enough to provide a good element of inspiration.

Finally, Quick Silver was great. I expected to dislike him most of the time but I didn’t. (I did go into it know what happens to him at the end, so that made it easier.) I think he was the best part.

And as a side note, Captain America and the Hammer did look totally like he could have lifted it, I saw it move. And the look on Thor’s face was priceless.

But beyond that, I don’t think this movie held up to the original”s standard, and definitely not my own.

Nice action is great in a superhero flick, but for me it doesn’t make it or break it, so long as the scenes don’t look like a sixties Batman fight, I can tolerate less spectacular fight techniques. And a lot of cool powers isn’t enough to tip the scale either.

Banter gets old unless it’s really good, and cliches and subverted cliches can be equally annoying. (Just because you subverted the cliche doesn’t mean it was a better scene.)

No, what gets me is the heart of a film. It’s why the Incredibles and that Justice League movie about two earths are my favorite superhero films, and Guardians of the Galaxy.

What the heart of Age of Ultron is would be hard to say. Other than Ultron gets his heart ripped out, which was gruesome even if he’s a robot.

I think the heart of it was supposed to be putting the civilians first, and valuing human life instead of just victory over evil.

Did I miss the announcement when a superhero valuing human life ever became something they had to decide in the middle of the film? Uh…that used to be for villains who were finally starting to see the light.

Oh that’s right, superheroes apparently are villains, in a way. (Gag.)

Look, if I have to question the moral choices of my hero, then they aren’t my hero anymore. I can’t look up to someone who is morally inferior to me. That’s stupid.

But I get why it’s popular. So many people identify with this because they are unsure of what their moral standard should be.

A hero should be an inspiration, so why did most of the Avengers spend more time in the film depressing me than they did lifting me up?

If you want to make a morally ambiguous, or philosophically uncertain film, great, but don’t call that a hero film. Heroes are the people who stand up for what’s right, defend the defenseless, and don’t back down from the villain. They are not the people hanging back brooding over whether or not they have the right to even interfere. Yes, the right.

Isn’t that what it’s all about? The Avengers are being accused by Ultron of being the disease of the planet, and they wonder if he’s right.

Well, if he is, it started when they made him.

Up till then, only the Hulk was a threat to society, and he was getting better. If they movie had focused on how the power of love and trust can make people rise to new heights, that would have been a good message.

One many would call cliche and cheesy. But there’s a reason these messages keep being repeated time and again, in every generation. And guess what, the generations that reject them are the ones that crumble in on themselves.

See, the day good things become too boring for the population is the day the population becomes more interested in feeling things strongly then they do in feeling what’s right. It’s like the people who chase erotic love instead of lasting love. The first one is just more of a thrill.

And believe me, I get how these new movies are emotionally seductive, if I may use that term. The stakes are always high, and there are tense moments, and some touching ones that feel very real.

But to what does it all tend?

When I watched The Hunger Games I understood everyone’s fascination with them. I’ve heard snippets of Twilight, and I get why teens were sucked into the series. I get it. Folks, I am not immune to the appeal.

But the appeal is something I despise in myself. Even though it’s there, I know it’s not good.

As a human being, I am as tempted as anyone to sacrifice principal for something that will make me feel all keyed up and pumped, or make me hang on the edge of my seat, or make me sigh and feel all wish- washy. Hey, those aren’t bad feelings.

But pursuing something just to get those feels, that’s either a waste of time, or it’s downright dangerous.

I know this for a fact. I’ve read and watched stuff for all those reasons, that’s how I got addicted to it. And that wasn’t healthy.

Now, it;s become kind of a joke to say you’re addicted to something that people really think is harmless. But addiction is never, ever harmless.

It makes you unhappier in the long run, it can make you depressed. It can make you pull away from the people around you. And it can make you crazily obsessed over something to the point where you neglect real world things.

That’s not a joke. And no one should act like it is.

But most people are unwilling to pull away from their screens long enough to really tell whether or not they have a problem. that’s part of the problem.

As for the Avengers, this movie made them look seriously messed up. Natasha’s whole part just made me sad, but without any hope that she’ll get better. She’s not allowed to, where’d all the conflict come from then, it is the only character development she gets after all…

Yeah, so I didn’t like it. I thought Ultron sucked, not because he wasn’t creepy, but because he made no sense to me. None of it did. I wish they’d decide whether the infinity stones control people or people control them. They can’t make up their minds.

There’s more to be said on this, but it’ll have to wait. Until next time–Natasha.

The Guardians of the Galaxy.

I’m a little late to the party on this, but I thought I’d review Guardians of the Galaxy.

This will go on record as being the only modern Marvel movie I actually like. So far.

It’s also the only one I get at all emotional watching. The sad scenes are actually sad. And that killer scene at the end when they all have the stone, it’s the only Marvel end scene that actually makes me feel pumped.

I’m sure some people think there’s something wrong with me that the Avengers moviesare basically boring to me, but I never feel like anyone, least of all the heroes, is really stopping to take in the weight of what’s really happening.

The Avengers are really like soldiers in an army, no time to be emotional, or to have hesitations, or to need more time to figure things out, they just charge into every battle they can and kick rear end.

I’ve never like watching people beat each other up without any personal investment in the fight. In fact, sometimes I get mad at the hero for punching the villain when I feel the villain didn’t deserve it, or that there was more mature way to handle it.

I feel like the Avengers are often like kids who can’t solve anything except by slugging it out.

Obviously, the Guardians of The Galaxy are the same way, so what makes the difference?

First of all, the Guardians acknowledge the dysfunctional nature of their anger issues. It’s not pretty, but at least they realize it’s messed up, and slowly begin trying to control themselves. This is a nice change from it being no moral conflict at all as to whether you should beat the crud out of the person you’re angry with.

Secondly, no one expects any of the characters to be good when the movie starts out. And none of them are. But over the course of the movie they realize what’s at stake, and they realize that working along side each other might be bizarre but it feels right, and it’s nice to have friends; so they are motivated to protect each other as well as the innocent people.

Thirdly, the villain, instead of bringing out the worst in the team by manipulation that they’re too blind to see coming (Loki anyone?) ends up bringing out the best in them. Spurring Gamorra to finally stop being an assassin Quill to finally stop being a selfish jerk, Drax to be willing to help someone else and admit his rage just wasn’t enough to justify his actions; and Rocket and Groot to stick their necks out for someone else.

By the way, this is traditionally the role a villain is supposed to play. Heroes are usually created when ordinary people rise up to stop evil, not when evil draws them together to destroy them.

There’s more reasons to like this movie. I think the on-the-edge violence and questionable ethics of the heroes makes more sense in the Galaxy setting, because of course the justice would be less focused in some planets, and we’re dealing with criminals turning good, not good guys experiencing moral conflict. The guardians start out at the opposite end of the scale, so we like them better as they progress, instead of worse as they give into temptation.

The way they constantly bicker isn’t really funny to me most of the time, I feel more frustrated, like Quill does, then like I’m enjoying it. but that’s another good point, they have to stop the petty banter before they can really realize why they need to do what they need to do.

Another point, and by far one of the best points of the film, is when Rocket says, for the first time not really sarcastic or bitter “Quill, you’re asking us to die.” The timing here is perfect, because Peter says “Yeah I guess I am.” And turns away, because he realizes he can’t actually ask people to die for his 12% of a plan. This moment is what makes this movie seem real, because the stakes are high, but there’s a healthy respect for the lives of your friends, and how you don’t have the right to demand they risk them. That’s why it’s not as cheesy or cliche when Gamorra  stands up and says she’d be grateful to die among friends. No one really believes they’re going to win, but they’d rather die trying with people they care about than live by running away.

That’s what makes my absolute favorite part (battle-wise) so much more meaningful. when Quill grabs that stone, it’s not from the greed for power, he knows it’s going to kill him. The cool thing is, Gamorra knows it’s going to kill her too, so do Drax and Rocket; yet they still grab on, proving they meant what they said about being willing to die with friends.  And what a horrible death too, so it’s really brave of them all. I think for me it means the most when Rocket does it, because he just lost Groot, his first real friend, and might not have a reason to sacrifice himself for the rest of them whom he didn’t even seem to like, but he does anyway.

Then that moment when the stone suddenly stops killing them, it’s amazing.

We know it’s not just that they’re powerful, because the group of people that held it before was still destroyed, I’ve always thought that it was because when they held on, they were all one in heart. With the same motivations, the same drive, the same will; and that was stronger than Ronan’s insane wish to destroy all life.

And darn it if that doesn’t inspire me even when it’s between people whom I wouldn’t normally admire.

But I guess it’s because they find a moral rock to stick to, whereas a lot of other superheroes have been losing their grip. (Not like I’m pointing the finger here, Batman.)

Actually in a wired way, the Guardians remind me of some other superheros, but that’s for another post.

Until next time–Natasha.