connection

Experiences.

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I am re-uploading this post because it’s been several months and I think I can say it better now.

I want to get more into why we have experiences in this reboot.

Brushing your teeth is an experience, but it is not really memorable; versus going to another country, which you will probably remember as long as you have a sharp mind.

Though experiences themselves are easily defined by the facts, what they do to us inside, that is not so easy.

It’s funny how a seemingly terrible experience can later in life prove to be a good thing. one you are even grateful for. Like having a bad tooth pulled. Or getting disciplined by your parents. Or it can be a far worse experience, traumatic even, yet later, it makes you stronger.

I want to share with you guys something I got into this week, it’s an old comic book story, by Jack Kirby, about Scott Free and Big Barda.

AS yo may know, I don’t read a lot of comic books, but here and there I have one I like. This actually was all a tory I read online and saw pieces of on Justice League Unlimited, I only rada little of it in an actual comic book. I am not endorsing the show, but id o recommend reading the comic book saga if you get the chance, it’s an amazing story.

Not just because it may be the most romantic one in the DC universe, and it has a functioning couple to boot, but because even individually the stories of these two characters are poignant and surprisingly real.

Raised on the hellish planted of Apocalips, Scott and Barda are very different. Scott is the adopted son of the ruler of the planet, Darkseid, while Barda is a selected child who is being groomed to be the head of the furies, horrible female warriors who have no mercy, no pity, no remorse. It’s not really their fault, they are all brainwashed, hypnotized, and severely punished for doing anything remotely good or beautiful that Darkseid doesn’t like.

To make a longs tory short, Scott and Barda both witness one injustice too many, and Scott decides to flee to Earth, Barda, for reasons she does not fully understand, decides to help him, but does not follow till later. When she does they are happily reunited, and after a lot of adventures together come to realize they have fallen in love, they get married, and continue to have adventures. Though the most memorable may be the one where they go back to their “home” and face their nightmares (almost literally.)

Now I bring this up because the amount of experiences both these characters have is huge, and most of the experiences, at least early on, were bad.

So, it’s just a comic book, right?

Never!

Something about this story rung true with me. I have not had such a horrible life thank goodness, but I recognized something about it.

see, though we don’t live on a world that has no hope, many of us live in a kind of personal misery where we feel no hope. And we are brainwashed by many sources, hypnotized by entertainment, and severely punished by circumstances or possibly other people if we dare go against the norm.

I’ll bet most of us would look at Scott and Barda and say “that would never happen in real life, two people raised like they were would never be able to live a healthy lifestyle.”

Come on, is our modern phycology so very different from the kind of messages I’m sure Scott and Barda both heard? “You are meant for this, you can never be anything else, hope is pointless.” And I do not mean the lack of self esteem, but the lack of awareness just of what life is really about.

You might say, and honestly I would have agreed with you, that Scott and Barda would both be really messed up. Haunted by their past. and for awhile, they were. It literally cam after them. But they protected each other.

Until the fateful moment when Scott decided he was through running. He would go back and face it. And Barda, though she believed they would die, went with him. And they didn’t die, though they came close.

And this is how I feel like I relate to this story. Facing your past, and the fears that go with it, can be terrifying. You can feel like you’re going to die. Pain hurts. That’s what pain does.

But here’s why I don’t find their story unbelievable and I do find it real: I have been on the same journey. I continue on it. I do not feel as fearless as Barda, or as clever and optimistic as Scott; but I have had to learn to be brave, wise, and hopeful. I love Barda because she tells Scott right before they go into a dangerous situation, which she compares to a shark. “We’re jumping down that shark’s mouth together–and then I’ll beat it to death from the inside.” Who doesn’t want to marry someone with that kind of devotion?

Having a rough life may suck while it is rough, but one thing is certain, you cannot become so tenacious as to beat a shark to death, unless you’ve had a rough time of it.

And it takes tenacity to love, take it from someone who once had the backbone of a jellyfish, at least when it came to facing my own demons.

Scott understands, as he tells Barda, that they are proof Apokalips can fall. Not because they have defeated Darkseid himself, but because they defeated the darkness that he tried to instill in them. They overcame it with love and justice.

Usually we think of love, but you need justice too. Justice is what tells you when it is time to face your fears, justice tell s you when it is not fair to other people to act the way you do. Justice tells you that you should have a better fate than what you’ve been assigned by your enemies. (Whatever form they take.)

I think we are apt to get tired of hearing about the inner battle, but it is the one we have the most active part in, and it affects more than you know. More than I know.

I can’t stress enough how important it is to fight, ladies and gentlemen, and if you find a person who will jump down that shark with you, keep them around.

Note to self: Marry somebody who has no problem beating a shark to death if  it should ever be necessary.

Well, I hope you enjoyed this unabridged post from DryBonesTruth. Until next time

–Natasha

I really Lived.

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I have heard many times that we need to live life to the full. We just need to live. Period. I may actually be sick of hearing this message. The reason is , no matter how often I hear it, I never know quite how to apply it.

I want to live well, to use my time wisely, but how? How do I know what’s worthwhile?

And even if I know, what if I don’t want to do it?

And even if I want to do it, what if I can’t?

Why does this have to be so hard?

Maybe it doesn’t. Maybe it just seems hard because we make it so. That’s probably not news to you.

There’s this song that I happen to really like, and it’s not a Disney sequel one. This one is by One Republic is I am not confusing my band names. Perhaps you’ve heard it, it’s called “I lived.” I read on Wikipedia that one of the band member wrote this song for his son, and such songs are typically the best, because though we don’t know what we want, we have much clearer vision for what we want our children to have. (Even if they aren’t our children, but just children we care about.)

But I love this song because of what it exhorts the listener to do.

Hope when you take that jump, you won’t feel the fall.

Hope when the water rises, you built a wall.

Hope when that crowd screams out, they’re screaming your name.

Hope if everybody runs, you’ll choose to stay.

Hope that you fall in love, and it hurts so bad, the only way you can know is give it all you have.

And I hope that you don’t suffer, but take the pain.

Hope when your moment comes you’ll say: “I, I did it all. I, I did it all. I owned every second that this world could give. I saw so many places, the things that I did. And with every broken bone, I swear I lived.”

I literally get chills just typing these words out, they are so good.

There’s a verse in the Bible that has been made into a song, (as many of them have) but also expanded upon. It goes like this “Teach us  to number our days, that we may gain a heart of wisdom.”

The song tweaks it to “Teach me to number my days, and count every moment, before it slips away. To take in all the color, before they fade to gray. I don’t want to miss, even just a second more of this.”

What these two songs are telling us is very true. And the reason they use the analogies they do is because we understand better that way.

The first song is talking about how we need to live. We need to take jumps of faith, and if our faith is in the right thing, we won’t feel the fall. We need to face the storms of life and build walls to protect ourselves and those close to us. Now, the crowd screaming your name thing can be see many ways, but the best light to put it in, is that we will do so much good that we will be cheered on.

It is so important to me that the writer of the song used the word hope. No parents can make their child do any of these things, they all involve wisdom on the child’s part, and courage, and faith. But it is what a parent should want and prepare their child for. But it get even better.

To hope that falling in love will hurt sounds strange, but it is wisdom. Love, when it is purest, strongest, and most unfailing, hurts the lover. It won’t hurt all the time, but the ability to love so much that it hurts is the ability to have perhaps the highest human connection. I speak of true love, not the pain of unmet desire, that is something else entirely. That kind of love requires you giving it all you have, and that is a great thing.

To stay when everyone else runs, to not suffer, but to view it as taking the pain. Why, that is encouraging bravery, and not being the victim but the hero.

Seriously, I love this father’s prayer. It is like a prayer.

In the chorus of the song we get to the end goal, that the child will one day look back on their life and say “I lived.”

There’s a movie “Secondhand Lions,” which I recommend. It tells the story of two men who had an  amazing life, and passed on what they learned form it to their nephew, Walter. At the end of the movie, the grandchildren of one of the two uncles old foes, a wealthy sheik, show up at their house, and one of them says to Walter. “So those two men form Grandpa’s stories, they really lived?” And Walter says the most powerful line of the movie “Yeah, they really lived.”

I hope that will be said of me when I am gone. Or that I will be able to say it of myself.

It’s not what you do so much as how you do it. If you put your whole heart into it, that is living.

But there is the possibility of living for the wrong thing, and that is where the second song comes in. We only live for a short time. And even if we have good motives, we can easily direct them into the wrong pursuit.

That’s why it’s so important for the Christian to live for God. To do what is right, and what is helpful, not just what we enjoy. I maybe just lost you there. “Another message about how I can’t do what I want, yada, yada, yada.” Well, sorry. I don’t pretend never to struggle with this myself.

But I think that is because I forget the message of these two songs, (and every other form I’ve been told it in.) You don’t give your life meaning, but you can make it meaningful.

See, God gives life. He gives it meaning. But what you do with it, that may be left up to you.

“I lived” get to this as well.

Hope that you spend your days, so they all add up.

And when that sun goes down, I hope you raise your cup.

I wish that I could witness, all of your joy, and all of your pain. But until my moment comes I’ll say…

When all your days add up it should amount to something. Read that again.

Let me repeat, God gives your life meaning, you make it meaningful. That is not saying you have to make an effort to be important. You already are important, and many of us actually wish we weren’t because we see how we negatively affect other people without intending to do so.

No, what I’m saying is, you can pursue worthwhile things, like making other people’s lives better, and even more crucially, worshipping God; or, you can live your life like it was a credit card given to you with no max. You may use it all up on conveniences, but in the end the credit means nothing because there is no such thing as infinite provision without you working for it somehow. You’ll only run up a debt of time.

If you owe something your time, and don’t pay up, you lose your soul. That’s because time is the medium through which we even come to know and grow our soul, it is what God has given us to use for this purpose.

We, as the songs say, need to allot time for many things. For love; for adventure; for serving others; for Faith, foremost of all; and for enjoyment; and for taking in the colors, the rich beauty around us, if we only have eyes to see it.

“That we may gain a heart of wisdom.” Yes, if we realize how our time is precious to us, we gain wisdom. I don’t know about you, gut that’s a kind of wisdom I’m still acquiring, I don’t think I have it yet. But I hope I will continue to learn it.

Maybe there will be some broken bones along the way, I am positive there will be broken hearts, but those can heal. So, when the moment comes when you’ll look back on your life, I  hope you’ll say “I really lived.”

–Natasha.

Poor men’s cottages princes’ palaces.
There are no small roles
Reach higher.

Classic view–part 2

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“Storybook endings, fairytales coming true, deep down inside we want to believe they still do.        In our secret-est heart, it’s our favorite part of the story…start a new fashion wear your heart on your sleeve, sometimes we reach what’s realest by making believe. Unafraid, unashamed, there is joy to be claimed in this world.”– Ever Ever After, Carrie Underwood.

People say that if you see life as a fairytale you are delusional. Like in “Enchanted.” Upon meeting Giselle, almost everyone thinks she’s loopy. And she is naïve. The only drawback to her outlook is that she is easily duped. She needs to be protected.

But in a sense, Giselle is protecting everyone she meets in our modern world from giving up on their dream. She makes them happier. She saves them from complete cynicism.

The sad fact is, few of us would be so receptive in real life to someone like Giselle. The advantage these movie versions of us have, is that they realize they are having a rare adventure, and though they doubt it will end well, something in them just has to follow it to the end.

We on the other hand, seem to go through life half asleep. We don’t have a sense of adventure, and we don’t dream that the quirky people who believe in that stuff might just be in our lives to help us.

Why would we even think it? Who are we? That’s the thing isn’t it? We just do not get it. Why would we be worth noticing.

Maybe that’s why we turn to horror and thrills. At least if we can feel the fear, we can relate to something different than our everyday lives; and sadly, that is what we believe we deserve. Fear.

After all, our culture is obsessed with fear isn’t it?

The biggest mistake we have made is thinking we woke up because we decided what used to be our nightmare was the reality, and what was our happy dream, that was just in our head.

That’s why when I clash with people because of my more Giselle-ish outlook, they always have a sort of bitterness when they tell me off. You may have–almost certainly have–hear the tone yourself. You’ve probably used it. I’ve used it myself. The “I can’t expect any better than this crud,” tone.

But the fact is, we’ve missed the point of fairytales entirely.

They always have villains. The heroes rarely realize they are heroes. There are evil spells. You think fairytales are always happy? My advice is to read the Ever After High series, by Shannon Hale. Some of them don’t actually end happily, but those that do, do so only after a lot of trouble.

Disney gets criticized even for this, (they get criticized for being too dark and too light, which proves that when something is actually good, it can’t please either extreme.) But I’ve never found Disney to teach anything unrealistic as far as trouble goes. Except that fairies don’t often appear to people and offer their help, but that’s not to say others do not help us. We just don’t recognize it for what it is.

What people really hate fairytales for, nowadays, is that they have hope.

We have dug our own pit with this one, however, because it is our morbid love of the morbid that has convinced us not to have hope. That hope is for suckers and losers.

How ever do you become a winner without hope?

It doesn’t matter how bad your life has been, the choice to lose hope is always your own. What baffles me is that the people who have the easiest lives out of the world’s population, they tend to have the worst outlooks. I guess they just don’t fight for hope.

I am not inconsiderate of those who truly have had the hardest lives, worse than I can imagine, but I maintain they need hope more than anyone, because what else keeps you alive?

I believe life is a fairytale. Because I believe fairytales were meant to teach us about life.

It may seem that my Christian faith would interfere with this outlook, or perhaps that this outlook is all you could expect from a Christian, but neither is true. Few Christians I know share this outlook, and it is not at all incompatible with the faith.

God actually often uses such terms as we would attribute  to a fantasy story. He speaks in metaphors. There is a clear reason for this.

The realest things we experience are the invisible ones.

You cannot see the wind, but it can uproot a tree. You cannot see germs, but they can kill you. You cannot see the things that keep the world functioning. You cannot see ideas, but they control society.

In the same way, fairytales really tell us about what we cannot see. By using things we can. A wise child will grow up retaining what he or she learned from these stories.

No one can convince me this is not true, though I know they will try, and I deal with that almost weekly. AS always though, what you believe is up to you. I only hope I have laid out my case in a  way that makes sense.

This blog is not necessarily about changing people’s minds so much as it is about introducing them  to new possibilities. I leave the exploring up to them.–Natasha.

Image

Classic

Classic View–part 1.

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I wonder sometimes if I write this blog a little too formally. If it comes across as lofty. I do have reasons to write the way I do, the main one is it’s how I write naturally and I feel comfortable using that style.

The reason my style is the way it is is because I spent my childhood (like it was so long ago, I know,) reading Classics. As a homeschooler, with a small social life, and no television, books were the best form of entertainment. Though I spent plenty of time doing other things mind you. Since I was immersed in the language of these books I picked up phrases, some slangy. I’ve got to be one of the only people who ever used bad grammar because of a book. That’s where I learned the word “Ain’t.” My parents never use it.

So, that said. I developed a love for books at a young age. And I particularly like fantasy.

Classical Fantasy, a. k. a. fairytales.

Surprisingly, I’ve never been a huge fan of traditional fairytales since I was nine or ten, to my memory. But I like retellings, and books written in the style of fairytales. I also prefer other types of fiction, nine times out of ten, to any nonfiction. My reasons are simple, I can retain more from a story, and it is much more fun.

I have been sharing my problems with the amount of darkness contained in a lot of modern fiction, in my recent posts. (A little disclaimer: I did not come up with the terms bent, and broken, for books. They are from “A Thomas Jefferson Education.” DeMille and Woodward.)

Since I’ve listed the problems I have with these types of books, I thought I had better give some positives in favor of others.

You may wonder why I’m bothering to write this much about reading when I usually tackle larger subjects. But in my book (haha) this is large. Which is actually part of my point.

Let’s start with the criticism levelled at reading only Whole or Healing books. (More terms from the book I named above.) Usually, these books have happy endings. Often if they are children’s books, they are not very suspenseful, and they have no in depth look at evil. This is perfectly fine for children, but teens often despise such ooey-gooey, sappy stuff.

A common complaint it that these stories (movies included) are not realistic.

But I would throw back this reasoning in its own face because these same people will defend watching horror movies or reading those works with the words “I know it’s not real.” Or “It doesn’t affect me.” We find then, that their logic is faulty. If they really intended to watch realistic stuff, they would watch no fiction at all; and they would not read it.

But if you are like me and believe that real or not, what you see affects you, then it is easy to defend my watching habits. (It may very well be true of the Romance genre that it is unrealistic, and I personally despise most of the modern romance novels and chick flicks.) Unfortunately, any movie more focused on heart than action can now be labeled a chick-flick. Therefore, it is unreal.

To bring all this to head, that itself is my concern. The Heart is being more and more ignored in entertainment.

Young authors and young readers have grown up not understanding this concept. They are used to everything being mental. They are used to deranged villains, and heroes with some mental issues of their own. They are used to meeting people who are bipolar and not big on reason. Perhaps it is no wonder that they don’t set too much stock on reasoning.

This is where Classics come in. They rely on reason. It used to be a precedent. If your book made no sense, it wasn’t hailed as worthy of serious reading. Writing a story without reason would be unthinkable. Not that it didn’t happen, but those books are long forgotten, whilst the Classics still remain. And if you’ll pardon my saying so, in a less stupid culture, the Classics would still remain a priority.

See, I meet kids all the time who don’t know how to judge a book by anything but its cover. Literally. They don’t know how to tell whether something is good or not. Their parents imagine them to be better off, because they are more easily contented.

Like in the Disney Atlantis, when Kida argues with her father about the people and their lack of knowledge. “A thousand years ago,” she says passionately “Our people did not have to scavenge for food in the streets.” “They are content” he replies. “They do not know any better.” She retorts. Later Kida informs Milo Thatch that the people do not thrive, though they exist in peace, their culture is dying.

And if not for Milo teaching them how to operate their technology again, they would have indeed died. In the end, their ignorance was more dangerous to them than their knowledge had been.

See, a really good parent wants their children to have the best life they can have. A good human being wants their fellow human beings to have the best life they can have. We still honor people who try to bring that about. We are not so far gone that we do not even give a nod to such efforts.

But we are delusional if we think our children can grow up content with Cartoon Network and Mind Craft and still have the best lives possible.  Frankly, we are mildly insane if we think our teens can watch horror and read trash and still have a positive outlook on life.

I stand by the Classics. They taught me what I could expect out of life. The good and the bad. They taught me that both things must be handled the right way if you wish to stay on the right track.

It is more realistic to admit our entertainment has taken a  downward dive than to pretend it is harmless or even helpful.

As always, my charge to you is to think it over and then act. Until next time–Natasha.

SAMSUNG CSC

Reach higher.

Why a DP movie is my favorite part 2

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In part one, I had just said that I felt cursed, as a child, with fear. The troll tells Elsa “Fear will be your enemy.”

When this happens, Elsa is at most 8 years old. I was younger than that when I realized fear was a problem. But like Elsa, I did not start off that way. I was a kid who liked to feel tough. I wasn’t afraid of trying things. I had my first debate about Christianity when I was four, people, I kid you not, (Four or five.) I knew my stuff too. How did Fear enter the equation?

Like with Elsa, except mine took more steps. When I was little, the idea that fear could control me, could make me feel ill and ruin my day, that was introduced through a seemingly insignificant incident, but it lasted. But the experience more akin to Elsa’s traumatic one came when I was 11. Basically it happened to me in reverse order. But what followed was the same. Except, my parents did not tell me to hide, and they did not die (thankfully.) Elsa has that to herself.

But I digress, I spent years learning how to hide, like Elsa; I became an expert at it. Like her, I developed tricks to keep my mind occupied, to cover up. She used gloves, I used books. If I were a different person, the similarities between us would have been scary. As I watched Elsa’s behavior more carefully, I saw the same looks in her eyes I used to feel in my own. Her hands shook under tension, and I used to become shaky whenever I had to sit through an experience that terrified me, which I had to do nearly every week. But after it was over I could act relatively calm, as Elsa does at the party, up until Anna pushes her, And if anyone pushed me, I would have the same kind of meltdown.

I can’t say for sure with Elsa, but I would always feel very sick, I’d go warm and cold, I’d tremble, I would want to curl into a corner and not be seen or talked to. If I couldn’t do that outside, I’d do it inside.

I can remember it all now, though it was awful, it got worse.

Elsa’s story really starts when she runs away, she is not running from her duties, as many have said, but from her fears. Seriously, how did that responsibility idea ever get started? You can see the fear in her eyes; in her ice and snow; she yells “Stay away from me!” Duh. She’s running from herself. But, as that Switchfoot song says, “Where can you run to escape from yourself?”

This of course, was my life. My whole life was trying to run from myself. Every waking moment. You think I exaggerate, I don’t.

But like Elsa, I had moment or two of peace along the way. It never lasted longer than a day. And come to think of it, her time of peace after her song lasts a day total. She begins at dawn, Anna shows up at dusk. The monster of fear can lose its grip for a short time. But the same thing that triggers Elsa back into it was what would trigger me.

I only needed to be reminded of it. this could be something someone said, or it could just hit me out of nowhere. In Elsa’s case, Anna shows up and Elsa holds out for like two seconds against fear, then it grabs her again.

I am now going to hurry through the rest of the movie until the climax. Anna and Elsa argue, as you know, Elsa accidentally hurts Anna deeply, though Anna tries to convince herself it was nothing. Elsa drives them away, (even the terms are symbolic.) They find out Anna is dying, and go back to Hans. He turns out to be a total jerk. And unbeknownst to them, he has already captured Elsa and thrown her in the dungeon. As the villains will do.

A word on Hans. There are two villains in this story, Fear, and the people who help it along. Hans and the Duke of Weasletown are really two sides of the same coin, the difference being Hans is obviously the head and the Duke the tail. So everything Hans does plays off people’s fears. Anna is afraid of not being loved, Elsa is afraid of herself, the people are afraid of, well, freezing to death.  The Duke also plays off the people’s fear, or at least feeds it. He and Hans both want Elsa dead. The Duke is still the lesser villain, being selfish but not intentionally evil. Hans is knowingly the villain.

I had my Hans too, but I always knew it was Fear itself. The spirit of it.

So, the climax. I have told this so many times, I am not sure what the best way is. But you have probably all seen or heard of it, so I’ll keep it short.

Even though True Love has been mentioned a few times, mainly by Anna, and Kristoff, and Granpabby, no one has actually defined it… until Olaf does. This is one of the many reasons I love the movie, it took the comic relief, and without changing his character at all, it made him on of the heroes. Just by knowing what love was. Olaf’s character it so in line with that message that it seems only fitting he would explain it.

I believe in my earliest posts “The Quest” series, part seven dealt with Love, and I talked about Anna’s journey with it. So I’ll just briefly recap: she didn’t know what love was, Olaf told her, but she only got it when she had to make the choice herself.

Anna saves Elsa. “In every way a person can be saved.” She saves her life, she saves her from being sentenced to death unjustly, she saves her from fear.

When I watched this, I was already saved. Honestly, if I hadn’t been, I couldn’t have understood what happened in the space of thirty seconds. The movie itself doesn’t try to explain it, either you understand the miracle, or you don’t. Most of us don’t.

Truthfully, it is not the people’s fault that they don’t get it. I considered myself fortunate to get a peek into the real meaning of what happened. But it has to have happened to you, or you have to be told by someone who had the experience.

Once I realized this, I could forgive the haters. I can even forgive the people who like this movie for the wrong reasons. They just don’t know. They don’t know that I lived that story. And I continue to live it.

Frozen doesn’t end where the movie ends. As the months of hype over it have clearly shown. I think my tone must show how entirely serious I am about this. I relive the story every time I encounter a new challenge in my life.  I call it my movie, because it is, in almost every sense, mine.

This is long enough.  I think I have explained it thoroughly. If you read this far, thank you, I appreciate it. Until next time–Natasha.

Why a DP movie is my favorite.

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So, I mentioned doing a post about Frozen a few articles back. Though I am still not sure anyone but me is interested, I still wanted to do it because, frankly, I’ve wanted to do it since starting this blog.

With that pity plea out of the way, I shall begin. (Seriously, don’t keep reading if you really don’t want to, I get it.)

As everyone already knows the movie was a huge hit and after the first six months or so, people really started laying on the hate. Some of them were frustrated parents, most of the ones I knew were boys who hadn’t ever actually sat through the movie, a few were girls who hated the Disney princess image in general, or else just didn’t get Frozen and were tired of hearing how awesome it was.

I cannot change any of this with a post that will reach only a few people, comparatively, but I do have an interesting story to tell.

When I first saw posters and advertisements for the movie, I rolled my eyes, like many others. I thought “Here we go, another cliché Disney Princess movie with stupid jokes and a story I’ve heard a dozen times.” At this point in my life, I had not been often watching said Disney Princess movies. I will say, Frozen was the most poorly advertised DP movie I’ve seen up to date. But my sister checked it out, and practically forced me to listen to the song “Let it Go.” I almost didn’t bite, but when I heard the line “The cold never bothered me anyway.” And saw the ending with the castle, I was hooked. Even at this point, I only gave this song a B+ and possibly the movie. But I started watching clips, then more clips, and more, and basically, I saw the whole thing in clips multiple times before I ever saw it as a movie.

Though I liked Elsa, the movie didn’t really grab me until I saw the scene that made it iconic. My other sister and I remember this differently, but according to her, once Anna got frozen solid, I went upstairs in a huff. I think I probably just didn’t know what clip to watch to find out what happened next, but my sister found it in no time and I saw what happened. I was hooked before, now I was really in deep.

I became obsessed (see my post “Good Obsession” for how this happens to me.) When this happened I had just been reading a book about finding oneself (for lack of a better term for it. Captivating was the title.) and I soon saw the Frozen could have been made as a dramatization of the book’s message, but even more than that, Frozen was my life.

I am not kidding. Frozen was a movie version of my life story. In fiction form, which is my favorite, so it only gained points there. now, it rarely goes well when I tell people this, I suppose they don’t know how to react to someone claiming to be the subject of this film. Plus, a lot of girls felt that way, so what is my special claim?

Well, I’ve never met anyone yet who had quite the experience I had with Frozen. I have shared before how I used to be a very fear-bound person. Right off the bat, Elsa and I had that in common. But it was more.

Elsa had no common fear of being herself, she had the fear of herself. It is the crucial point that most  people missed when they watched it, and it changes how you perceive everything in the movie.

Fear is portrayed not as Elsa’s gift, but as the corruption of it, a very important distinction. Every time she is afraid, her ice and snow darken, and twist into ugly shapes, or else sharp spikes. But something I noticed at length was how, as the story progresses, the fear becomes less and less subtle. The spikes start to point at Elsa herself, they try to trap Anna inside the castle even when Elsa is no longer in it herself and would personally have no reason to trap anyone, and her storm starts to blind her as well as everyone else.

Fear is the monster in this film. But what does Elsa think? That the monster is her.

I think of what Mrs. Valiant says in “Hinds Feet on High Places.” “She is a Fearing herself, and has Fearing in the blood, and when the enemy is in you that is a very hard thing.” There is a difference from a having fear inside you and being the thing to be afraid of, but it is not a difference people know by instinct.

C. S. Lewis called the fear of oneself the worst fear of all. He was right. I used to have it, I was afraid, literally, to look in the mirror. There is only one point in the movie that Elsa looks at her own reflection, it is when she and Anna are arguing about whether or not she can fix the Winter. Do you know what Elsa says as she looks at herself? “There’s so much fear.”

Mirroring plays a huge role in that story. When we see Anna’s reflection, Anna is always singing or talking about love and being there for Elsa. When we see Hans’es reflection, he reveals his true colors. Hans himself is a mirror for everyone’s worst fears or most vulnerable emotions. (I have to give SuperCarlinBrothers the credit for clueing me into this, they are a YouTube Channel.)

Elsa is never once unaware of her problem. from her childhood she is told “Fear will be your enemy.” And I was, I felt, cursed with the same thing as a child. No one told me it had to be that way, but I kept being told I was worrying too much. I was being a worrier. I was shy.

I am going to continue this in the next post, this is long enough. Until next time–Natasha.