Stranger than fiction.

Stranger than fiction.

It’s the title of a movie, I’ll bet there’s probably a book called that too. It’s also an old saying “Real life is stranger than fiction.”

You know what’s funny to me? How demanding we are now about our entertainment. There are still folks who aren’t picky. But especially among millennials and younger, we’ve got a lot of critics who want to find their fiction believable.

I’m guilty of this too, and hey, it’s not exactly wrong. I’m all for having standards. It’s not that that bothers me.

It’s that these standards are often ridiculous.

Fiction creators are held up to almost impossible standards. Everything that happens in their imaginary world needs to line up with everything else. They get criticized if there’s a detour into a subject unrelated to the main plot, even though if all of a story is just about one main plot, it can be flat and lacking in depth. If their characters aren’t funny or really emotional, than they’re flat. (It couldn’t just be that not everyone has to be either really funny or really volatile. Or stoic.)

They get accused of making characters stereotypical or cliche, but are also expected to play into certain stereotypes like “strong female character” or “doubtful hero,” or “compelling villain.”

We put a lot on these poor folks who just want to tell us an interesting story. Some of the most beloved stories of all time don’t make sense, that’s part of their charm.

And we’d be wise to take a look at why that is, and learn from it.

Take “Alice in Wonderland” for example. If you are western European, you have heard of this story. It used to be the number one required children’s book in England. It may still be. (Google it someone.) This story is famously nonsensical. But I like how Jim Weiss described such nonsense. “It makes sense, but in it’s own whimsical way.”

Alice runs into a lot of silliness, but mixed in with all that are some important lessons in humor error and in logic and the value of certain things. IT also turns a lot of the phrase we use on our own heads, and so teaches us that words ae important. In fact books like the Alice books, and the Phantom Tollbooth, and Mary Poppins, all foster a love of words in the reader. I sound like the prolouge to a classic by an editor, but it’s true nonetheless.

But what I find most important of all about these books is that they challenge the persepctive on life that even children may take too seriously. Alice i a know-it-all, Milo
(Tollbooth) is bored and finds nothing around him to be worthwhile, and Jane and Michael tend to be close minded about new things. The whimsical things that happen to all of those children teach them to enjoy life more and see wonder in things that they never paid attention to. The Narnia books do the same thing in a more gentle and subtle way.

And it’s good for all of us to have to stretch our minds to see things a different way. To understand that there may be different rules than the ones we know, or that we may just only know part of the story.

Okay, so what do my two subjects have to do with each other? I’m getting to that.

We have two choices in life, ladies in gentlemen, and all our important decisions will fall into one of these categories. Good and Bad.

But good doesn’t just mean moral, it means good for you.

And our attitude toward fiction is way more important to our well being than we give it credit for.

We can either demand that we understand every little thing, in every single part, after just one time with a story. Or, we can let it sink in a little deeper, and move us; or puzzle us and thereby cause us to think and hopefully to grow.

See, all this criticism and nitpicking, it’s our way of trying to protect ourselves. Not even from bad ideas, but just from liking things that it would somehow reflect badly on us to like. We don’t want to be fooled again.

There is some wisdom in that, but we have carried it way too far as a culture. It’s really just used to keep us from ever being challenged in the way we look at things. Because as long as we can pick something to pieces, we don’t have to admit it has a point. And as long as we can assign whatever meaning we want to it (whether it be less or more than the creator intended) then we don’t have to ask ourselves what the actual meaning was.

If we can explain it, then it can’t hurt us.

That’s what we think.

But if everything must be explained, then I’ll be the first to say fiction is fiction indeed.

Nothing in fiction is more unreal than when it all makes sense. Because if you haven’t noticed, real life does not make sense.

In real life, things happen for a reason, but it’s not always a reason we know. Or like. In real life phenomenons take place that we can’t understand or explain. In real life, outcomes are not always predictable. Most of all, in real life things cannot be dismissed just because we disagree with them or find fault with them. We actually have to work out problems in real life.

That’s why I take fiction seriously. Because it ought to be helping us deal with real life, since fiction is actually far simpler.

So demanding it be perfect is demanding something you are never going to see in this life. And demanding it be compelling is pointless. Because most fiction can’t force you to be compelled, you have to choose whether to care or not. And it’s no big surprise that those who don’t care about fictional events on the basis that it’s boring will not care about real events in a deep way.

Life is most definitely stranger than fiction, and the best fiction reminds us of that fact so we can become more flexible.

Those are my thoughts for now, until next time–Natasha.

Guardians of the Galaxy vol #2

I held off saying anything about this move until I’d actually seen it, and now I finally have! (celebratory noises.)

I do think it had way more inappropriate humor than necessary and earns that PG-13 rating in full. And it had a lot of gross stuff, more than the first one.

That’s only superficial elements. What was this movie about?

I agree with the other people who reviewed it, it’s about family, parenthood, forgiveness, and how pride gets in the way of really bonding with people.

This film is about how friends can be better than family because it’s not blood that makes loyalty but the choice of the person. There’s actually a verse in Proverbs about it “there is a friend that sticks closer than a brother.” Proverbs was written by Solomon, who had brothers who wanted to kill him, so his point of view makes sense.

I found Nebula a little disconcerting, something about her is always kind of sadist and psyco and even though you know she’s had a horrible life I don’t think trying to kill your sister is okay, even if they were bad. I also have to say Gomorrah “joking” about killing Nebula didn’t seem in character after the first film in which she made it a point to try to get her on their side.

Am I nitpicking? Maybe.

But by far the biggest concern to me personally is the character of Ego. I’m aware that some people out there probably think he’s supposed to represent God. Or Jesus. Because I’ve seen hints of theories like that, though I have yet to watch or read any.

But now that I’ve seen the film, I do see some similarities (on the surface) between Christ and Ego. Actually, it’s my theory that the movie was parodying the whole trinity. But Christ especially, because Ego is all like “Oh I walked among them and took their form and then I decided I wanted to fill the universe with copies of me.”

A person could make the argument, and I wouldn’t blame them, that this is a lot like what the Bible says Jesus did. He became flesh, dwelt among us, and he wants to make us like him. (Like him, not into him.)

That doesn’t sound at all creepy to me, I was raised hearing it, but the way the movie portrayed it, I suddenly saw how it could seem creepy to someone else. And it should.

Because if that was all there was to the story, I’d be freaked out too.

Ego is all about himself, he doesn’t even really seem to care about being worshipped, except by Peter, though he enjoys the admiration he gets. He just wants everything to be made of the same matter as himself.

He also has killed off all of his children as soon as they let him down, and some would see a parallel to God in this also. (A false one, but still.)

And no, I’m not afraid to bring all this up, and I admit that on the surface, it might look right.

But here’s a Christian’s perspective on this:

You could believe that God is like Ego, but God is way more powerful, and also just. Which Ego is not.

Actually you know who Ego really resembles? Satan.

I’m not kidding. There’s this part of the movie where Ego is going on about how “We will do all this…” and he lists several things. Is sounds eerily like a passage in the Bible where Lucifer is saying “I will be like The Most High.” a.k.a. “I will be like God.”

And you remember when Ego said that he was a small “g” god, at least on days he was feeling as humble as Drax?

The defining characteristic of God is Love. You know what Ego is another word for? Pride. Which is the defining characteristic of Lucifer.

Yep.

And actually, everything Ego did, Christians believe Satan either did or will do. Right down to making biological life forms. It may seem bizarre, but our own scientists are already able to do that, so…

In fact, the similarities to Christ can all be attributed to the fact that The devil will become the antichrist. Which you don’t have to believe is true to acknowledge that it is still biblical.

And in my mind, Ego is that. For he does not love, he rejects love as weak (like the devil;) he wants to remove free will (like the devil) and he wants to destroy all other life save what he can use (like the devil.)

I understand that this is all my own perspective, and some people out there might think I’m conveniently transferring all the clues into a picture I actually like. And maybe I am.

I won’t deny, I do wonder if the director of the movie is trying to mock God, or show contempt for our ideals. But the fact of the matter is, no one can successfully mock God.

The only way people can do that is by inventing things about him to mock. People do this to other people anyway. much more to beings they can’t understand.

Whether James Gunn meant to mock God; meant to show how pride twists all attributes; or just meant to tell an interesting story with a  metaphor; I can’t say. But that he does not know how true that metaphor actually is, I have no doubt.

One thing I do appreciate is how all the characters seemed to sense something was wrong about Ego and his planet, and I certainly got that impression watching it. There was something uncanny about it.

One more point: Ego made matter from himself, but even he was obviously created, because when he came to consciousness there were other life forms in existence. There was other matter. This again fits in with him being like the devil, but it also raise the question, where did all that other matter come from?

I don’t expect Marvel to ever actually admit there’s a God in their films. But I still think the existence of superheroes only makes sense in that context. That could just be me.

Anyway, I hope some of this made sense. Until next time–Natasha.

 

 

 

How to recognize a weasel–part two.

This is not really a continuation of my Beauty and the Beast review, it’s more a commentary on films in general.

I said when I reviewed The Hunger Games that the movie was trying to make you think it was good, but it really had no strong message.

It turns out there’s a lot of that going around. I just saw La La Land and it was the same thing. It seemed good because it was trying to be like an old fashioned romance, but it totally lacked morals. I’m actually surprised that many good people thought it was great.

I get why, I wanted to like it. But I kept waiting for a moment where the characters did something I could really admire, but they didn’t.

I think my Grandmother thinks I’m just predisposed to dislike every movie that recently (in the last five years) came out.

But I liked “Hidden Figures” and “The Intern.” And heck, I like “Guardians of the Galaxy.” I liked the new Cinderella movie.

I’m not impossible to please.

I am hard to please. I missed the memo when pleasing the more difficult audience suddenly became not what movie writers were supposed to go for.

Which is not to say I should just get to say any movie is bad because I personally didn’t like it. I didn’t like Hacksaw Ridge over much, but it’s not a bad movie. Some things are just taste.

But some aren’t. Like caring what a movie is actually trying to say. And if it’s not trying to say anything, then it’s smoke and mirrors, because no one can come up with a decent creation if they don’t have a goal in mind.

My sister is a painter and drawer, she never paints a picture of nothing in particular. I know some artists do to express freedom, but even they are trying to express something. I write, I never write a story or  post about nothing. My other sibling crafts, she never makes nothing in particular.

Whether you’re a good or bad artist, you can’t be an artist without a goal or a point in mind.

And a film without a real point is just trimmings and trappings over a bare framework.

But we’ve gotten really good at those trimmings.

We have realistic looking CGI to the point where most of us have seen more vibrant landscapes on TV than we have in real life.

We have actors who can be airbrushed to perfection.

We have locations to die for, almost.

We have surroud sound. We have cool scores. We have promotional ads!

What we don’t seem to have is stories. Everyone is talking about how unoriginal Hollywood is getting. I guess the directors figure if you can’t make up a new idea, you have to dress up an old one.

But lest we be too copycat-ish, we’ll throw out all the old morals the plot used to entail. Let’s have more sex, shooting, explosions, and dumb throwaway lines that will become t-shirts and memes and be forgotten a few years hence. That’s what people want to see.

Well, unfortunately, I’m starting to wonder if that is what people want to see.

I can still remember the feeling I used to get when I finished watching a really good movie. I felt braver, better, and like life was more beautiful because of that film’s ideas. I felt like I had a glimpse into something I wouldn’t normally see or think about. Every now and then I get that feeling again.

But not form these big hits that have recently come out. They just don’t do it for me. I could look every recent superhero film I’ve seen in the eyes and tell it “The Incredibles was still better than you.” And forget the romantic comedies.

Well, I digress.

I read in one book that since the Fall we’ve gotten really good at covering up our shame with fig leaves Whether they be ordinary fig leaves or designer fig leaves.

Or as Shakespeare put it “All that glitters is not gold.”

Shakespeare tells us that if we are “young in limb, in judgement old,” we will not stake our happiness on things that are shiny and seem valuable on the surface, but inside contain dead men’s bones. (Merchant of Venice.)

The fig leaves represent the way we try to cover up our shame. And our current shame as a culture is how little we understand right and wrong. A lot of us feel confused about a lot of things, so we cover it up by making movies and other things that sound good, and sound profound, but if we were to really examine them they would be as fragile as leaves and one yank would destroy the facade.

The words of Shakespeare warn us not to value things that are dead inside just because they satisfy our senses.

I look for life in a movie. Some movies are just too foolish, others are deliberate garbage, others are the result of poor writing.

We need to be able to tell, because if we can’t, we’ll admire all the wrong things. And you can’t admire garbage on a screen, and then appreciate gold in real life.

Let’s just say that anyone who takes fool’s gold for the real thing will never recognize actual gold when they see it. They don’t look the same when you’ve seen both.

And can I just point out that the people who are telling us it doesn’t matter and to just enjoy the garbage are usually the ones making it… don’t you think they have a slight agenda?

I’m basically giving you all permission to dislike popular films for good reasons. And to like good films with all the enthusiasm the youth are showing for the bad ones. That’s where the “young in limb” part comes in.

Wisdom and Passion are the two great helpers of life, and they have to be forged the right way.

That’s all for now, until next time–Natasha.

In defense of friendship.

So, I’ve been reading The Lord of the Rings, finally, I’m almost done with “The Fellowship of the Ring.”

And so far my favorite character is without a doubt, Samwise Gamgee.

Though Aragorn and Legolas and Gimli would all be close behind.

They were my favorites in the movie, along with Eowyn, but I’m definitely not alone in that.

But Sam is the best, he’s the comic relief as well as the heat of the group. Kind of like The Flash. you ever notice how often those heart characters are also the funny ones, it’s like the heart has to make sure people don’t get too sad or discouraged along the way. This is another reason I like Spiderman.

Anyway, there’s some controversy with Sam and Frodo that’s pretty messed up.

I’ m bringing this up not to have a political axe to grind, but to address another problem with this mindset of our culture.

People interpret certain words and actions as pertaining to certain feelings. You know what I mean. A kiss means one thing, holding hands means another.

To my astonishment, I’ve discovered that something as simple as expressing a great wish for your friend to come back alive, or to survive, can be perceived as sexual.

First of all, even if this is between a man and a woman, I’d still say it was messed up to look at it that way.

Things are pretty desperate when a man can’t want a woman to come back alive without being in love with her. I. e. Sexually attracted to her.

Is that all we’re good for to each other? Meeting some sexual need? Is that the only goo reason to care about each other’s well being. Because it seems thoroughly selfish to me.

I know some kinds of love can be selfish like that. No doubt you’ve experienced that kind of love, either in yourself, or in someone else, and it’s not always the romantic kind anyway. Familial love can be just as selfish. And so can friendship love.

My concern is that we don’t know what friendship is anymore.

I’ve had friends of both genders whom I’d be very upset about if something happened to them. I’d take steps to prevent that too. That doesn’t mean I want to be with either of them. It just means that I (shock) happen to care about other human beings besides myself.

And my guess is I don’t need to explain this to you folks who are reading this, but it sure as heck seems like it needs to be explained to a lot of folks who are spouting off their opinions every where I turn.

There’s nothing wrong with having an opinion of course, just so long as it’s a healthy one.

But if you can’t even believe in affectionate relationships out side of romantic ones, that’s not healthy.

Because the amount of people any one person can have romantic feelings for is limited, but the amount of people they can have affection for is almost limitless. You can get fond of almost anyone if you know them long enough and they don’t drive you crazy, in some cases even if they do drive you crazy.

And there’s a big difference between Sam wanting to protect Frodo and save his life, and Sam not being able to go on without Frodo. (I do think Frodo could not have gone on without Sam, but for a very different reason, the Ring would certainly have possessed him if he had been left alone with it.)

It’s a very natural thing to protect your friends. If you don’t, you aren’t much of a friend, that’s why gossiping about your friends is the best way to lose them. You exposed them instead of defending them.

In fact, friendship starts from a willingness to help another person not be lonely, a lot of the best friendships come from two people who had only each other, and were hated by everyone else, or just ignored. My own parents started out in such a relationship.

And between a man and woman, that often turns into love. But it’s not because friendship is inherently romantic, just immaturely so; it’s because companionship is the best foundation for a romantic relationship to grow on. But it doesn’t happen that way every time. And it doesn’t have to happen that way for it to be a healthy relationship. I think men and women can be lifelong friends and never need to take it further than that.

In a perfect world, we could all be like that and no one would be suspicious of it.

In the Bible, King David, a man with over seven wives if I remember right, had a friend named Jonathan, and they had a bond of souls.

David said at a later time that Johnathan’s love to him was better than women’s love.

This does not mean it was homosexual at all. There’s actually a distinction David is making between friendship and sexual love. He found the one with women, but he never seemed to have a wife he really was friends with.

David is simply recognizing here that friendship love is more sweet and loyal than romantic love often is, romantic love is famously fickle and inconsistent. And a guy with seven or more wives would certainly know that.

C. S. Lewis wrote that he’d rather have friendship with his wife, forever, than be romantically attracted to her forever. Because friendship was a better thing to have.

Now, just to be clear, friendship does not mean a feeling in this case. It means a certain unselfish way of acting, putting your friend first before you. Like Johnathan did for David. It also means having someone else who is passionate about the same things as you are. As Lewis says in “The Four Loves.” IT also means willingness even to lay down your life for someone else, as Jesus himself says is the greatest love of all.

All this can be in a romantic relationship, but it does not make it one.

In fact, this kind of friendship is really the kind of love we should have toward all people.

I think stigmatizing it is a huge mistake, and part of the reason people find it difficult now to make connections with each other in any way that’s not over a screen, where misinterpretation is a lot harder.

And until we let go of this stereotype, we can’t really be inspired by characters like Sam to be noble, loyal, and self-sacrificing; which is certainly what Tolkien intended when he wrote the story.

That’s my food for thought, until next time–Natasha.

Thoughts on The Spiderman Trilogy.

Hey folks, so the Solar eclipse is happening right now. Pretty cool right?

Of course no one will read this until it’s over, probably.

I don’t have any real thought provoking observations about it, there’s plenty of those out there, I’m sure.

It is funny to think I haven’t lived to see one of these yet, and I’ll probably live to see only one more. Of course form where I am, I can’t see it fully.

But I digress.

I really like the old Spiderman movies, with Tobey Maguire. They’re a bit old fashioned, but then so am I.

And I only just saw 1 and 2 this year. So it’s new to me.

I know they aren’t the most epic of superhero movies, but I think that’s part of their charm.

Whoever wrote those films, (Raimer wasn’t it?) knew how to use superheroes. I think the themes of all three are pretty great, even if the third one is notoriously inferior. (I haven’t seen it yet, but I ‘m not convinced I would hate it.)

The trilogy is dealing always with the question of power. with power comes responsibility. But many people don’t live up to that responsibility.

There’s the Green Goblin, Osborne, who misuses first his business power to do a dangerous experiment, and then gets corrupted by the effect that experiment had on him. He ends up going completely insane.

Then there’s Dr. Octopus, who was definitely less desperate to begin with, but was over confident about a power source he couldn’t really control or understand, he gets turned into a monster by it, but in the end his better self is able to overcome it and he saves the day. Only after he is willing to let that power go.

In the third movie there’s three villains. Harry Osborne, who is following in his father’s footsteps. The Sandman, who I know the least about, but is given power by an accident if I remember right. And Venom, who is the worst of all.

In the third movie, Spiderman is also abusing power. In the first two, his struggle was leaning what to use it for, and whether he really should use it all, this time around he is struggling with wanting more. The struggle his first two foes were falling to has finally come around to him.

Which is important to note, you will always be tested on the same things your greatest enemies are, your greatest enemies are always the ones who had the opportunity to be heroes  and chose the wrong thing. That’s why so often the good guy is the better version of the bad guy. With similar skills and personality traits, but with a stronger character. Because it’s always hardest to fight yourself.

In the end of the third film, two of the villains give up on villainy; one forgives Peter, the other just decided to stop, (I think, I’ve seen bits and pieces only) like Dr, Octopus. The third one decides to embrace the monstrous power, and enjoys being bad. Some villains do. The others all denied really being evil, but this guy got a kick out of the thrills of it. No rules, and all that.

Peter Parker finally rejects the power of the weird alien goop because he realizes it’s making him into the wrong kind of person.

This seems like a decent way to cap off the first two films to me, I think the complaint is it was too choppy and spread out over three separate stories. IT wouldn’t be the first movie like that.

but the idea at least was good. Thought the mud always freaked me out and still does, but I think it’s like The Ring of Power. IT’s supposed to scare you so you know hwy it has to be resisted. (Where did that instinct go? Now it seems like people embrace the fear and want more of what’s causing it, instead of knowing to run from it.)

Tobey MAguire’s PEter Parker had charm becuase he was really just a normal guy, with extraordinary character, given extraordinary powers at a confusing time of his life.

But it’s like it was planned. With the exception of Harry’s Hobgoblin persona, none of Spiderman’s villains are born because of something he did. Not like Ultron, or even Loki, or Hydra’s reoccurring villains. All of them would have risen up whether or not there was a Spiderman. But Spider man was given his power at just the right time to stop the Green Goblin, and later all the rest.

Actually, you could see special planning in how he stopped Dr. Octopus. Spiderman had no cause to know Otto Octavious, but by sheer luck it seems, Peter got to meet him before he went bonkers, and so was able to talk him back into himself.

And Harry was his friend. So was Venom, briefly, but not really a good one.

There’s really a Supernatural aspect to the three films. And I don’t say that just because I look for it, it was glaringly obvious form the first one.

Here’s why I think that makes them better.

If Superheroes were in fact real (and the Bible has at least one, if not more, that were real;) then I would expect their powers to be a gift from God, to protect His people from some great threat that ordinary abilities just won’t cover. If they gave themselves powers, I would expect it to corrupt them, because power that is grasped at will corrupt.

The Bible says that Jesus did not consider equality with God a thing to be grasped. But Satan did. Jesus is our savior, Satan is the great enemy. Because equality with God means having all power, over all things. Jesus didn’t try to take it, it was given to him. (Read the first part of the Gospels for the whole story.) Satan tried to take it, he got cast down.

Which is precisely what happens to Spiderman’s villains. They try to harness power and it destroys their lives. But Peter is given power, and though it test his endurance, in the end he knows it’s his gift. Something he has to use for others.

I am not saying Peter Parker represent Jesus, I am not one of those people. I think few superheros even being to fit the role of a Christ character. They aren’t supposed to.

They are heroes, plain and simple. The kind of heroes we should all strive to be. Whether we can climb walls or see through them or not. Whether we can fly or shrink or shoot an arrow backwards. (By the way, I took archery for awhile, I still have serious doubts about Hawkeye being able to do that. Even if he looked first, it could change in a split second. But it sure is a cool trick if you suspend disbelief.)

If anyone but Peter Parker was Spiderman, Spiderman could not be what he is. That’s why the trilogy was smart to focus on how Peter Parker’s normal life is such a huge part of his Spiderman life.

Those are my thoughts for now, unil next time–Natasha.

Tech Crisis.

 

How about Wall-E?

You may have seen this Disney film from a few years back, I was just having a conversation with someone about it a few days ago. We were thinking about how technology is changing us. Not a new subject, I know, but have you noticed it’s one people seem constantly concerned about?

Well, at least they’re concerned, that’s a start.

I don’t think I’m at all misinterpreting the movie when I say it’s about how technology cripples us in the long run. It’s funny, when the movie fist came out, I wasn’t as aware of the Tech Crisis (I’m calling it that now) as I am today, but now that I’ve seen it firsthand, it’s all too clear. The human beings in that movie are all sitting around on their duffs, 24/7, watching their little holographic screens. Doing whatever the ship’s computer voice instructor tells them. They’re all so fat (no nice way to say it) they can’t even stand up by themselves. We’re shown later that it’s the time in space’s effect on their bones, they’ve lost a lot. ( I wonder if that’s actually symbolic of a loss of backbone, but I can’t say for sure on that.)

I’v heard that we’re a materialistic society, but the way I see, we’re more and more a people who are materialistic without the materials. I’ll show you.

Look at your phone right now, or your computer, or whatever. It’s probably small enough to be held in your hand. It weighs less than a pound. Now picture what’s inside it. A little micro-computer. Metal, chemicals, battery, and whatever else they make phone out of.

Believe it or not, that is all the physical material that many of us are obsessed with. The rest of it is all just images and ideas in our mind.

The actual material of on-screen transactions is very minimal. Nothing like the obsession with wealth that we used to term materialistic. That’s still a thing, but the other is far more common.

So, you see, we’re materialists without material.

And what’s more, even the mental material is often not really that. There’s plenty of indoctrination going on through TV, but the bulk of what we watch is completely useless to our minds, even as deception. The real deception is that we think it’s funny.

But this is not to come down on any particular genre or person. I think though that our concern needs to be followed up by action.

I can make myself pretty unpopular among the people around me when I actually have a problem with this kind of stuff, but if I allow that to change my mine, I have no backbone either.

Now, I freely admit, I use technology a lot. For this blog, I have to. And for typing anything, because I tried a typewriter, and I’m nowhere near accurate enough to make it worth the time and effort. (Plus you can only print one size and on font and that just doens’t work for me.) I do use smart ohones and tablets to look stuff up. I use dictionary.con instead of an actual dictionary often enough.

None of that is bad, and it’s not wha tI’m talking aobut.

I recognize that technology is helping us get soemthings done more effciently. And that using it to relax with isn’t a bad thing, in moderation.

But I think I overuse it too often. Binge watching stuff isn’t healthy. (Unless you have no other choice because you can’t keep it another day.)

Just to be positive for a moment, I’ll also say that without the internet I wouldn’t have found some of the books I love, been able to buy my favorite comic book, or found my favorite speakers. In all those ways, technology has been a blessing to me.

When I say I hate it, it’s not the items themselves, it’s the idea of it and what’s it’s turned us into.

I am an introvert, I won’t say I’ve never preferred being holed up, with YouTube, in a room by myself, to hanging around other people, but I rarely choose to do that. I have one simple reason:

I want to be the kind of person who prioritizes people over things.

Who actually tries to hang out with their family.

Who is available to their friends.

Sometimes technology is an aid to that, but I’ve found nine times out of ten that a good book works far better. Plus, it shows more of your priorities with what you read than with what you watch (other than watching stuff itself.)

It’s a bit cliche for the person at the other end of the screen to urge you to turn it off, but hey, it’s your call.

One more thing about Wall-E:

It’s a movie about learning how to be human.

Wall-E has overtime developed human feelings by watching their old movies and exploring their stuff. Their real stuff, I want to point out. He’s surrounded by materials that people used up until they went away and became reliant on their tech. The reason they did was because Earth got too messy to live on.

Wall-E, in true Blast form the Past style, falls in love with Eve, another robot. But Eve is more like a robot than he is, at first. Over the course of the film she starts doing more and more things that she wants to do, or are right to do, instead of just what she’s programmed to do. She develops a human personality as well.

You know how when someone seems checked out as a human being we’ll refer to it as auto-piliot? Well, the villain of the movie is Auto, the piloting system that has also developed it’s own consciousness, but a controlling, deceptive one. Intent on keeping power by keeping humanity stupid and dependent on himself. He doesn’t want to be turned off.

A great moment of the film is when the captain, after learning about Earth thanks to Wall-E, finally stands up to Auto and yells “I don’t want to do nothing! That’s all I’ve ever done is nothing!” He finally succeeds in turning Auto off and taking aback control of the ship.

They go back to Earth to take care of it, accepting their responsibility as people.

That’s the movie, in a nutshell. Rediscovering what it means to be human. Through a robot.

Ironic.

Until next time–Natasha.